This study surveys the course of verse translation from the Irish, starting with the notorious Macpherson controversy and ending with the publication of George Sigerson's Bards of the Gael and Gall in 1897. Professor Welch considers some of the problems and challenges relating to the translation of Irish verse into English in the context of translation theory and ideas about cultural differentiation. Throughout the book, we see again and again the dilemma of poets who must be faithful to the spirit or the form of Irish verse, but who rarely have the ability to capture both. The relationship between Irish and English in the nineteenth century was, necessarily, a critical one, and the translators were often working at the centre of the crisis, whether they were aware of it or not. As Celticism evolved into nationalism and heroic idealism, these influences can be clearly seen in the development of verse translation from the Irish.

A collection of essays presenting an "insider" view of the Irish poetic tradition. It brings together some of the best-known poets and critics writing in Ireland today, exploring the multiple traditions and influences within Anglo-Irish poetry from the 19th century to the present.

55,000 biographies of people who shaped the history of the British Isles and beyond, from the earliest times to the year 2002.

Despite the relatively slender volume of his work and the obscurity that marked his brief life--he was known to his friends as "the Recluse"--the Cork poet J. J. Callanan (1795-1829) has come to be recognized as one of the most significant Irish poets writing before Yeats. Inspired equally by English romanticism and Ireland's Gaelic culture, and drawing often on the life of Irish-speaking communities in West Cork, Callanan's work negotiates with remarkable effect between Ireland's two principal traditions, while giving voice to many of the cultural forces that were shaping Irish life in the early years of the nineteenth century. Callanan's poetry has been out of print since 1883. This long-overdue selection brings together all his poems having to do with Ireland, including those for which he is best known--his poetic translations from the Irish, lyrics such as "Gougane Barra," and his long autobiographical poem, "The Recluse of Inchidony," The poems are fully annotated, and original sources for the translations, where known, are given. The introduction provides a detailed account of Callanan's life, drawing in part on private letters and diaries, as well as a critical assessment of his poetry. There is also an extensive bibliography that includes a listing of all critical writings about Callanan.

Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.

This book is a philosophical effort to deal with the problem of otherness, particularly as it has been bequeathed to contemporary thought by the legacy of German idealism, whose most challenging, influential thinker was Hegel.

The Collected Works of W. B. Yeats, Volume III: Autobiographies is part of the fourteen-volume series overseen by eminent Yeats scholars Richard J. Finnerah and George Mills Harper. The series includes virtually all of the Nobel laureate's published work, with authoritative and explanatory notes. Autobiographies consists of six autobiographical works -- Reveries Over Childhood and Youth, The Trembling of the Veil, Dramatis Personae, Estrangement, The Death of Synge, and The Bounty of Sweden -- that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.