This is the first study to demonstrate the impact of Puritan literature on the development of German language and literature in the seventeenth century and beyond. It crosses the boundaries of theology, literature, and the English and German traditions to show that eighteenth-century secular thinking on introspection, psychology and subjectivity has its roots in vocabulary used in Germany as early as 1665 through the translation of figures such as Daniel Dyke and Richard Baxter. The book concludes with insights on John Bunyan, whose works inspired writers of the Geniegeneration such as Lenz, Wieland, Moritz and Jung Stilling.

What is meant by the Puritan literary tradition, and when did the idea of Puritan literature, as distinct from Puritan beliefs and practices, come into being? The answer is not straightforward. This volume addresses these questions by bringing together new research on a wide range of established and emerging literary subjects that help to articulate the Puritan literary tradition, including: political polemic and the performing arts; conversion and New-World narratives; individual and corporate life-writings; histories of exile and womens history; book history and the translation and circulation of Puritan literature abroad; Puritan epistolary networks; discourses of Puritan friendship; the historiography of Puritanism defined through editing and publishing; doctrinal controversy; and the history of emotions. This essay collection proposes that a Puritan literary tradition existed that was distinct from broader conceptions of early modern English and Protestant traditions and offers a nuanced account of the distinct and variegated contribution that Puritanism has made to the construction of literature as a concept in English. It ranges from the late sixteenth through to the nineteenth century, and spans British, European, and American Puritan cultures. It offers new analyses of well-known Puritan writers such as Anne Bradstreet, John Bunyan, Richard Baxter, and John Milton, as well as less familiar figures, such as Mary Rowlandson and Joseph Hussey, and writers less often associated with Puritanism, such as Andrew Marvell and Aphra Behn.

The Evangelical Revival of the mid-eighteenth century was a major turning point in Protestant history. In England, Wesleyan Methodists became a separate denomination around 1795, and Welsh Calvinistic Methodists became independent of the Church of England in 1811. By this point, evangelicalism had emerged as a major religious force across the British Isles, making inroads among Anglicans as well as Irish and Scottish Presbyterians. Evangelical Dissent proliferated through thousands of Methodist, Baptist, and Congregational churches; even Quakers were strongly influenced by evangelical religion. The evangelicals were often at odds with each other over matters of doctrine (like the 'five points' of Calvinism); ecclesiology (including the status of the established church); politics (as they reacted in various ways to the American and French Revolutions); and worship (with the boisterous, extemporary style of Primitive Methodists contrasting sharply with the sober piety of many Anglican advocates of 'vital religion'). What they shared was a cross-centred, Bible-based piety that stressed conversion and stimulated evangelism. But how was this generic evangelical ethos adopted and reconfigured by different denominations and in very different social contexts? Can we categorise different styles of 'heart religion'? To what extent was evangelical piety dependent on the phenomenon of 'revival'? And what practical difference did it make to the experience of dying, to the parish community, or to denominational politics? This collection addresses these questions in innovative ways. It examines neglected manuscript and print sources, including handbooks of piety, translations and abridgements, conversion narratives, journals, letters, hymns, sermons, and obituaries. It offers a variety of approaches, reflecting a range of disciplinary expertise—historical, literary, and theological. Together, the contributions point towards a new account of the roots and branches of evangelical piety, and offer fresh ways of analysing the history of Protestant spirituality.

In her study Chaoluan Kao offers a comprehensive investigation of popular piety at the time of the European Reformations through the study of sixteenth- and seventeenth-century Protestant prayerbooks. It pursues a historical-contextual approach to spirituality by integrating social and religious history in order to yield a deeper understanding of both the history of Christian piety and of church history in general. The study explores seven prayerbooks by German authors and seventeen English prayerbooks from the Reformation and post-Reformation as well as from Lutheran, Anglican, and Puritan traditions, examining them as spiritual texts with social and theological significance that helped disseminate popular understandings of Protestant piety. Early Protestant piety required intellectual engagement, emphasized a faithful and heartfelt attitude in approaching God, and urged regular exercise in prayer and reading. Early Protestant prayerbooks modeled for their readers a Protestant piety that was a fervent spiritual practice solidly grounded in the social context and connections of its practitioners. Through those books, Reformation could be understood as redefining the meanings of people's spiritual lives and re-discovering of a pious life. In a broader sense, they functioned as a channel of historical and spiritual transition, which not only tells us the transformation and transmission of Reformation historically but also signifies the development of Christian spirituality. The social-historical study of the prayerbooks furthers our understanding of continuity, change, and inter-confessional influence in the Christian piety of early modern Europe.

Unity in Diversity presents a fresh appraisal of the vibrant and diverse culture of Stuart Puritanism, provides a historiographical and historical survey of current issues within Puritanism, critiques notions of Puritanisms, which tend to fragment the phenomenon, and introduces unitas within diversitas within three divergent Puritans, John Downame, Francis Rous, and Tobias Crisp. This study draws on insights from these three figures to propose that seventeenth-century English Puritanism should be thought of both in terms of Familienähnlichkeit, in which there are strong theological and social semblances across Puritans of divergent persuasions, and in terms of the greater narrative of the Puritan Reformation, which united Puritans in their quest to reform their church and society.

A Companion to German Pietism offers an introduction to recent Pietism scholarship on both sides of the Atlantic, in German, Dutch, and English. The focus is upon early modern German Pietism, a movement that arose in the late 17th century German Empire within both Reformed and Lutheran traditions. It introduced a new paradigm to German Protestantism that included personal renewal, new birth, women-dominated conventicles, and millennialism. The “Introduction” offers a concise overview of modern research into German Pietism. The Companion is then organized according to the different worlds of Pietist existence—intellectual, devotional, literary-cultural, and social-political.

Melancholia is a commonly experienced feeling, and one with a long and fascinating medical history which can be charted back to antiquity. Avoiding the simplistic binary opposition of constructivism and hard realism, this book argues that melancholia was a culture-bound syndrome which thrived in the West because of the structure of Western medicine since the Ancient Greeks, and because of the West's fascination with self-consciousness. While melancholia cannot be equated with modern depression, Matthew Bell argues that concepts from recent depression research can shed light on melancholia. Within a broad historical panorama, Bell focuses on ancient medical writing, especially the little-known but pivotal Rufus of Ephesus, and on the medicine and culture of early modern Europe. Separate chapters are dedicated to issues of gender and cultural difference, and the final chapter offers a survey of melancholia in the arts, explaining the prominence of melancholia - especially in literature.