An autistic necromancer, his undead lover, and the case that could destroy everything. When a necromancer turns up dead, Oliver and Felipe think it will be the perfect, straightforward case for their new partnership. That is, until it leads them to a clinic promising a cure for magic, but they aren't the only ones investigating the Institute for the Betterment of the Soul. Oliver's ex, Ansley, is in town, and he's certain the clinic isn't the paragon of righteousness it claims to be.Forced to help Ansley infiltrate the institute, Oliver fears he is out of his depth in his work and in love as old wounds and bad habits resurface. But Oliver isn't the only one struggling. Pulled between his cases, Oliver, and his daughter returning home for the summer, Felipe is drowning. Just when he thinks he finally has everything under control, a new reminder of his untimely demise threatens to throw his life into a tailspin once more.Between festering wounds and secrets, Oliver and Felipe's lives stand upon a knife's edge. To face the evil lurking behind the clinic's genteel smiles, they must stand together or face the destruction of the place they call home.

On October 19, 1876 a group of leading French citizens, both men and women included, joined together to form an unusual group, The Society of Mutual Autopsy, with the aim of proving that souls do not exist. The idea was that, after death, they would dissect one another and (hopefully) show a direct relationship between brain shapes and sizes and the character, abilities and intelligence of individuals. This strange scientific pact, and indeed what we have come to think of as anthropology, which the group's members helped to develop, had its genesis in aggressive, evangelical atheism. With this group as its focus, The End of the Soul is a study of science and atheism in France in late nineteenth and early twentieth centuries. It shows that anthropology grew in the context of an impassioned struggle between the forces of tradition, especially the Catholic faith, and those of a more freethinking modernism, and moreover that it became for many a secular religion. Among the adherents of this new faith discussed here are the novelist Emile Zola, the great statesman Leon Gambetta, the American birth control advocate Margaret Sanger, and Arthur Conan Doyle, whose Sherlock Holmes embodied the triumph of ratiocination over credulity. Boldly argued, full of colorful characters and often bizarre battles over science and faith, this book represents a major contribution to the history of science and European intellectual history.

Two Men. A Bitter Rivalry. And a Quarter-Century of Unspeakable Horrors. Herbert West’s crimes against nature are well-known to those familiar with the darkest secrets of science and resurrection. Obsessed with finding a cure for mankind’s oldest malady, death itself, he has experimented upon the living and dead, leaving behind a trail of monsters, mayhem, and madness. But the story of his greatest rival has never been told.Until now. Dr. Stuart Hartwell, a colleague and contemporary of West, sets out to destroy West by uncovering the secrets of his terrible experiments, only to become that which he initially despised: a reanimator of the dead. For more than twenty years, spanning the early decades of the twentieth century, the two scientists race each other to master the mysteries of life . . . and unlife. From the grisly battlefields of the Great War to the backwoods hills and haunted coasts of Dunwich and Innsmouth, from the halls of fabled Miskatonic University to the sinking of the Titanic, their unholy quests will leave their mark upon the world—and create monsters of them both. Reanimators is an epic tale of historical horror . . . in the tradition of Anno Dracula and The League of Extraordinary Gentlemen.

Contains H. P. Lovecraft's serialized story "Herbert West--Re-animator" and its two collaborative "round robin" fictions: "Herbert West--reanimated" and "Herbert West--Reincarnated", edited by Robert M. Price and published in the serial "Crypt of Cthulhu"

If you could live forever, would you want to? Both a fascinating look at the history of our strive for immortality and an investigation into whether living forever is really all it’s cracked up to be. A fascinating work of popular philosophy and history that both enlightens and entertains, Stephen Cave investigates whether it just might be possible to live forever and whether we should want to. He also makes a powerful argument that it’s our very preoccupation with defying mortality that drives civilization. Central to this book is the metaphor of a mountaintop where one can find the Immortals. Since the dawn of humanity, everyone – whether they know it or not—has been trying to climb that mountain. But there are only four paths up its treacherous slope, and there have only ever been four paths. Throughout history, people have wagered everything on their choice of the correct path, and fought wars against those who’ve chosen differently. In drawing back the curtain on what compels humans to “keep on keeping on,” Cave engages the reader in a number of mind-bending thought experiments. He teases out the implications of each immortality gambit, asking, for example, how long a person would live if they did manage to acquire a perfectly disease-free body. Or what would happen if a super-being tried to round up the atomic constituents of all who’ve died in order to resurrect them. Or what our loved ones would really be doing in heaven if it does exist. We’re confronted with a series of brain-rattling questions: What would happen if tomorrow humanity discovered that there is no life but this one? Would people continue to please their boss, vie for the title of Year’s Best Salesman? Would three-hundred-year projects still get started? If the four paths up the Mount of the Immortals lead nowhere—if there is no getting up to the summit—is there still reason to live? And can civilization survive? Immortality is a deeply satisfying book, as optimistic about the human condition as it is insightful about the true arc of history.

Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.