The Reanimation of Malcom: The Little Book of Modern Times , a true story of spiritual phenomena and modern-day prophecy, will build and restore faith in God and Jesus’s name. Beginning in the 1980s, the events chronicled by author and true believer, Patrick Lawrence O’Malley, are well-documented acts of faith the likes of which have not been seen for hundreds of years. Taking place in England and the United States (California, Indiana, and Arizona), as well as other locations, phenomena include the author’s meticulously predicted lightning strike prophecy in 2002. In combination with other events, the courts and community wrongly attributed the author’s demonstrated faith, strength, and power in righteousness to special powers. The Reanimation of Malcom validates the scripture in the Book of Revelation: “For the testimony of Jesus Christ is the spirit of prophecy.”

The Reanimation of Malcom: The Little Book of Modern Times, a true story of spiritual phenomena and modern-day prophecy, will build and restore faith in God and Jesus's name. Beginning in the 1980s, the events chronicled by author and true believer, Patrick Lawrence O'Malley, are well-documented acts of faith the likes of which have not been seen for hundreds of years. Taking place in England and the United States (California, Indiana, and Arizona), as well as other locations, phenomena include the author's meticulously predicted lightning strike prophecy in 2002. In combination with other events, the courts and community wrongly attributed the author's demonstrated faith, strength, and power in righteousness to special powers. The Reanimation of Malcom validates the scripture in the Book of Revelation: "For the testimony of Jesus Christ is the spirit of prophecy."

The Reanimation of Malcom: The Little Book of Modern Times, a true story of spiritual phenomena and modern-day prophecy, will build and restore faith in God and Jesus's name. Beginning in the 1980s, the events chronicled by author and true believer, Patrick Lawrence O'Malley, are well-documented acts of faith the likes of which have not been seen for hundreds of years. Taking place in England and the United States (California, Indiana, and Arizona), as well as other locations, phenomena include the author's meticulously predicted lightning strike prophecy in 2002. In combination with other events, the courts and community wrongly attributed the author's demonstrated faith, strength, and power in righteousness to special powers. The Reanimation of Malcom validates the scripture in the Book of Revelation: "For the testimony of Jesus Christ is the spirit of prophecy."

Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.

On the 200th anniversary of the first edition of Mary Shelley’s Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below”) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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