What images come to mind when you think of Las Vegas? Mobsters and showgirls, magicians and tigers, multimillion-dollar poker games and prizefights; towering signboards that light up the night in front of ever more spectacular casino hotels. But real people live here, too--over a million today, two million tomorrow. Greater Las Vegas has long been the fastest growing metropolitan area in America. And almost every aspect of its citizens' lives is influenced by the almighty power of the gambling industry. A team of fifteen reporters led by David Littlejohn, together with prize winning photo-journalist Eric Gran, studied the "real" Las Vegas--the city beyond the Strip and Downtown--for the better part of a year. They talked to teenagers (whose suicide and dropout rates frighten parents), senior citizens (many of whom spend their days playing bingo and the slots), Mexican immigrants (who build the new houses and clean the hotels), homeless people and angry blacks, as well as local police, active Christians, city officials, and prostitutes. They looked into the local churches, the powerful labor unions, pawn shops, the real estate boom, defiant ranchers to the north, and dire predictions that the city is about to run out of water. Proud Las Vegans claim that theirs is just a friendly southwestern boomtown--"the finest community I have ever lived in," says Bishop Daniel Walsh, who comes from San Francisco. But their picture of Las Vegas as a vibrant, civic-minded metropolis conflicts with evidence of transiency, rootlessness, political impotence, and social dysfunction. In this close-up investigation of the real lives being led in America's most tourist-jammed, gambling-driven city, readers will discover a Las Vegas very different from the one they may have seen or imagined.

In this lively and probing book, award-winning author Pete Earley traces the extraordinary evolution of Las Vegas -- from the gaudy Mecca of the Rat Pack era to one of the country's top family vacation spots. He revisits the city's checkered history of moguls, mobsters, and entertainers, reveals the real stories of well-known power brokers like Steve Wynn and legends like Howard Hughes and Bugsy Siegel, and offers a fascinating portrait of the life, death, and fantastic rebirth of the Las Vegas Strip. Earley also documents the gripping tale of the entrepreneurs behind the rise and fall and rise again of one of the largest gaming corporations in the nation, Circus Circus -- to which he was given unique access. In his trademark you-are-there style, he takes us behind the scenes to meet the blackjack dealers and hookers, the heavy hitters and bit players, the security officers, cabbies, and showgirls who are caught up in the mercurial pace that pulses at the heart of this astounding city.

The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.

Las Vegas Then and Now pairs vintage shots from 100 years of the city's history with the same view today.

Take a look beyond the bright lights to see an ever-growing human population and big business in the Las Vegas area. In-depth interviews and photo-biography reveal an unusual but quite metropolitan city that is more than just tourists. 32 illustrations.

“Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.

An accessible, beautifully crafted and heartbreakingly topical novel about PTSI and the unseen effects of global conflict on ordinary lives. Beyond the bright lights and casinos lies the real Las Vegas, a forces town. In the predawn hours, a woman's marriage crumbles with a single confession. Across the city, Bashkim, the young son of an immigrant family, observes how they are struggling to get by in the land of opportunity. Three thousand miles away on the other side of the United States, a soldier, recently returned from active service in Iraq, wakes up in hospital with the feeling he's done something awful. In Laura McBride's heartbreaking and authentic novel, these disparate lives are brought together by one split-second choice; this is a story about families, the ones we are born to and the ones we choose to make. Faced with seemingly insurmountable loss, each person must decide whether to give in to despair, or to find the courage and resilience to rise. 'A powerful story of the way in which war detonates far from battlefields, exploding lives in a single irrevocable moment. We Are Called to Risereverberated long after I'd put it down. I can't stop thinking about it' Sarah Blake, The Postmistress 'A haunting and unforgettable debut' Marie Claire 'Compelling, emotional and heart-breaking' Sun 'Packs a raw, emotional power' Sunday Mirror 'Like Donna Tartt's… The Goldfinch, it strips a layer of gloss off the Las Vegas myth by moving to the families populating suburbia' Grazia