The Rationale Divinorum Officiorum is arguably the most important medieval treatise on the symbolism of church architecture and rituals of worship. Written by the French bishop William Durand of Mende (1230-1296), the treatise ranks with the Bible as one of the most frequently copied and disseminated texts in all of medieval Christianity.This book marks the first English translation of the prologue and book one of the Rationale in almost two centuries. Timothy M. Thibodeau begins with a brief biography of William Durand and a discussion of the importance of the work during its time. Thibodeau compares previous translations of the Rationale in the medieval period and afterward. Then he presents his translation of the prologue and book one. The prologue discusses the principles of allegorical interpretation of the liturgy, while book one features detailed descriptions of the various parts of the church and its ecclesiastical ornaments. It also features extensive commentary on cemeteries, various rites of consecration and dedication, and a discussion of the sacraments.

Providing the meanings that were originally associated with the art, architecture, rites, and vestments of the Church, this account transforms the worship experience by teaching what certain elements are used and why they are used. Claiming architects should be filled with the spirit of faith and knowledge of the meanings of all structural details and designs of the church, the author illuminates the meanings of the physical elements like the nave, the altar, the cross, and bells. He also clarifies the mystical significance of the chancel site, the glazed windows and pillars, the bell and its clapper, the altar cloths, and how the steps leading up to the altar refer both to Jacob's Ladder and to the degrees in worshippers' hearts.

Reflecting the range of their honorand's interests, the essays in Ritual, Text and Law provide a stimulating and panoramic exploration of the interrelated fields of liturgy and canon law in the Middle Ages, chiefly through the scrutiny of texts and their transmission. Roger Reynolds' scholarly work has not only considered the relations between law and liturgy, but has also focused on liturgical practice and the evolution of rituals, paleography and the often complicated relationships between canonical collections, in particular the southern Italian Collection in Five Books. Due in large part to Reynolds' research, the fields of medieval canon law and liturgy are now recognized as fundamental elements of medieval religious and intellectual history that shed light on medieval Christian belief and practice. The studies are grouped thematically under the headings of 'Ritual' and 'Text and Law'. Each section has an introduction by the editors, in which they survey recent developments in the study of medieval canon law and liturgy with reference to Reynolds's own research, provide historical context for the individual studies, and draw attention to the ways in which the studies reflect current concerns. Individually, the contributors offer new viewpoints on key issues and questions relating to medieval religious, cultural and intellectual history, particularly of the period c.900-1200, and especially the Italian peninsula. Collectively they illuminate the interaction of medieval Christianity and its rituals, as well as the relationship of the secular and the sacred as transmitted in liturgico-canonical texts from the time of the early church to the 14th century.

‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise.

This volume surveys 150 law books of fundamental importance in the history of Western legal literature and culture. The entries are organized in three sections: the first dealing with the transitional period of fifteenth-century editions of medieval authorities, the second spanning the early modern period from the sixteenth to the eighteenth century, and the third focusing on the nineteenth and twentieth centuries. The contributors are scholars from all over the world. Each ‘old book’ is analyzed by a recognized specialist in the specific field of interest. Individual entries give a short biography of the author and discuss the significance of the works in the time and setting of their publication, and in their broader influence on the development of law worldwide. Introductory essays explore the development of Western legal traditions, especially the influence of the English common law, and of Roman and canon law on legal writers, and the borrowings and interaction between them. The book goes beyond the study of institutions and traditions of individual countries to chart a broader perspective on the transmission of legal concepts across legal, political, and geographical boundaries. Examining the branches of this genealogical tree of books makes clear their pervasive influence on modern legal systems, including attempts at rationalizing custom or creating new hybrid systems by transplanting Western legal concepts into other jurisdictions.

This volume is the first publication of 19 previously unpublished Armenian compositions about Adam and Eve. The Armenian texts are accompanied by translations, introductions and commentaries, in which their roots in more ancient Jewish and Christian literature are explored.