Sex, violence, power, and redemption. In recent decades, scholars of New Testament and early Christian traditions have given new attention to the relationships between gender and imperial power in the Roman world. In this surprising work, Celene Lillie examines core passages from three Gnostic texts from Nag Hammadi, On the Origin of the World, The Reality of the Rulers, and the Secret Revelation of John, in which Eve is portrayed as having been humiliated by the cosmic powers, yet experiencing restoration. Lillie compares that pattern with Gnostic savior motifs concerning Jesus and Seth, then sets it in the broader context of Roman cosmogonic myths at play in imperial ideology. The Nag Hammadi texts, she argues, offer us a window into symbolic forms of Christian resistance to imperial ideology. This groundbreaking study highlights the importance of the Nag Hammadi writings for our fuller appreciation of the currents of Christian response to the Roman Empire and the culture of rape pervasive within it.

From the bestselling author of The Vagina Monologues-a powerful, life-changing examination of abuse and atonement. “A triumph of artistry and empathy.” -Naomi Klein “A crucial step forward . . . This is an urgently needed book right now.” -Jane Fonda “Courageous, transformative, and yes-healing.” -Anne Lamott Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father's point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology Eve has set out to provide a new way for herself and a possible road for others, so that survivors of abuse may finally envision how to be free. She grapples with questions she has sought answers to since she first realized the impact of her father's abuse on her life: How do we offer a doorway rather than a locked cell? How do we move from humiliation to revelation, from curtailing behavior to changing it, from condemning perpetrators to calling them to reckoning? What will it take for abusers to genuinely apologize? Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to re-emerge and heal. It is revolutionary, asking everything of each of us: courage, honesty, and forgiveness.

Dr. Ross provides a documented account of the exploitation of Chris Sizemore, the real Eve, by her psychiatrist, Dr. Corbett Thigpen.

The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments of vengeance. Can one of them break the spell before real tragedy strikes?

I have been exiled from my body. I was ejected at a very young age and I got lost. Playwright, author and activist Eve Ensler has devoted her life to the female body - how to talk about it, how to protect and value it. Yet she spent many years disassociated from her own - a disconnection brought on by her father's sexual abuse and her mother's remoteness. While working in the Congo, Ensler is shattered to encounter the horrific rape and violence inflicted on the women there. Soon after, she is diagnosed with uterine cancer, and through months of treatment she is forced to become first and foremost a body - pricked, punctured, cut, scanned. It is then that all distance is erased. As she connects her own illness to the devastation of the earth, her life force to the resilience of humanity, she is finally, fully - and gratefully - joined to the body of the world.

The uproar over "legitimate rape" during the 2012 U.S. elections confirms that rape remains a word in flux, subject to political power and social privilege. Redefining Rape describes the forces that have shaped the meaning of sexual violence in the U.S., through the experiences of accusers, assailants, and advocates for change.

"Brooklyn-based Eve Sussman founded the Rufus Corporation, an ad hoc group of artists, dancers, actors and musicians who create videos, photographs and live events, in 2003. This volume compiles film stills from two works for which Sussman and her collaborators are most known. "89 Seconds at Alcazar" (2004) is a high-definition video tableau inspired by Diego Velazquez's painting "Las Meninas" (1656). The piece focuses on the 89 seconds when the Spanish royal family and their courtiers would have been in the exact configuration portrayed in the painting. The Rape of the Sabine Women - featuring a mesmerizing score composed by Jonathan Bepler - is an allegorical video that conflates the myth of Romulus' founding of Rome with David's painting "Intervention of the Sabine Women" (1796-99). It is set in an idealized, cinematic version of the 1960s that includes G-men and a decadent party in a chic International Style summer home." --Book Jacket.