Seeking solace in the wake of her husband’s death, a woman embarks on a new life on the Irish coast, where her mysterious new neighbor offers a rekindled sense of happiness, however short-lived Helen moved to a small ocean-side village for the isolation—to be alone with the waves, birds, and changing seasons. Newly widowed, she spends her days painting in her glass-walled studio atop a hillside on Ireland’s northwest coast. From her perch she can study the rocks and dunes of the land sloping into the sea, the fishing boats rocking in the tide, and the railway station, abandoned for forty years, now being refurbished by Roger, an Englishman and veteran of the Second World War. Her friendship with Roger develops slowly, but in tandem with her growing affection for him is an intractable suspicion over his past. As the Troubles continue to settle over Ireland, Helen experiences sparks of happiness with Roger. Meanwhile, her son Jack, a radical living in Dublin, is increasing his involvement with an impassioned group of Irish guerillas, unwittingly setting in motion a series of events that lead to a shocking conclusion for both him and his mother.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

An Edgar Award finalist for Best Fact Crime, this “impressive…open-eyed investigative inquiry wrapped within a cultural history of rural America” (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Some of these cases—like the infamous Villisca, Iowa, murders—received national attention. But most incidents went almost unnoticed outside the communities in which they occurred. Few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal and uncovered one of the deadliest serial killers in America. “A suspenseful historical account” (Publishers Weekly, starred review), The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history. “A beautifully written and extraordinarily researched narrative…This is no pure whodunit, but rather a how-many-did-he-do” (Buffalo News).

Tells of a British soldier's ordeal as a prisoner of war and how he was able fifty years later to meet his torturer and offer forgiveness.

This working space is a measure of the claim that the artist makes upon the world."--Jacket.