This volume is a study of how Targum Lamentations (TgLam) interpreted and responded to the theologically challenging message of the Book of Lamentations. Through various exegetical techniques the targumist has transformed Lamentations into a rabbinic program for the synagogue. The first section examines how the targumist demonstrated that Israel herself is responsible for the destruction of Jerusalem and thus absolves God of all culpability. Yet the targumist continues to assert that God is the ultimate source of all history. The second section examines how the targumist depicts God as orchestrating events through his action and abstention. Finally, the targum argues that reconciliation with God can only come about through repentance and rabbinic worship. A new translation and a transcription of TgLam from Codex Urbinas Hebr. 1 is included.

This work provides a definitive translation into English of the Targum of Lamentations, based on a critical reading of all the extant versions, with textual annotations and extensive notes. An appendix offers, in addition, a translation and annotation of the Yemenite version.

Bible scholar Christian Brady, an expert on Old Testament lament, was as prepared as a person could be for the death of a child—which is to say, not nearly well enough. When his eight-year-old son died suddenly from a fast-moving blood infection, Brady heard the typical platitudes about accepting God's will and knew that quiet acceptance was not the only godly way to grieve. With deep faith, knowledge of Scripture, and the wisdom that comes only from experience, Brady guides readers grieving losses and setbacks of all kinds in voicing their lament to God, reflecting on the nature of human existence, and persevering in hope. Brady finds that rather than an image of God managing every event and action in our lives, the biblical account describes the very real world in which we all live, a world full of hardship and calamity that often comes unbidden and unmerited. Yet, it also is a world into which God lovingly intrudes to bring comfort, peace, and grace.

This work provides the first translation into English of the Targum of Psalms, together with an introduction, a critical apparatus listing variants from several manuscripts and their printed editions, and annotations.

Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children. In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself. Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.

If Greek was the language by which Palestinian Jews talked to the Empire, then Aramaic and Hebrew were the languages by which they talked to themselves. In this context, what resulted when they translated the Hebrew Bible into Aramaic? Moments of the inner Jewish conversation about the meaning and relevance of Hebrew Scriptures frozen in Aramaic renditions. The scholars in this volume use these Aramaic translations, known as the Targums, like dioramas, peering through them to glimpse these moments in the development of Judaism and its theology. Dedicated to Ernest G. Clarke, the essays explore the variety of interpretations preserved in the different Targums from the Second Temple and post-Temple periods during which they were composed.