"The Rabbi of Bacharach" is an unfinished novel by German writer Heinrich Heine (1799-1856). It describes the life of Rabbi Abraham and his wife Sara at the end of the Middle Ages in the small town of Bacharach on the Rhine and in the Jewish quarter of Frankfurt on the Main. --- The book also contains a "Biographical Sketch" of the life of Heinrich Heine by Emma Lazarus. --- "During the period of his earnest labors for Judaism, [Heine] had buried himself with fervid zeal in the lore of his race, and had conceived the idea of a prose-legend, the Rabbi of Bacharach, illustrating the persecutions of his people during the middle ages. ... Heine, one of the most subjective of poets, treats this theme in a purely objective manner. He does not allow himself a word of comment, much less of condemnation concerning the outrages he depicts. He paints the scene as an artist, not as the passionate fellow-sufferer and avenger that he is. But what subtle eloquence lurks in that restrained cry of horror and indignation which never breaks forth, and yet which we feel through every line, gathering itself up like thunder on the horizon for a terrific outbreak at the end!" (Emma Lazarus)

The gentle melancholy of two people coming together in a way which can never lead to full satisfaction, the quiet tragedy of a separation not forced by external powers but by the constant pressure of circumstances-this is what sounds through this splendid story. "Trials and Tribulations" is built entirely on this motive. An honest sturdy young officer and a decent pretty girl get to know each other on an excursion. Unconsciously they drift into a relation where heart meets heart, the breaking of which causes the deepest pain. But both see clearly from the beginning that there is no other end. For they know that the world is stronger than the individual, and the many small moments than the one supreme. They know it, for they are, like their creator, resigned realists. They shut their eyes only in order not to see the end too near. (Richard M. Meyer)---The interest of Fontane's novels lies rather in character than in action. While he portrays many types characteristic of Berlin and the surrounding region, and is very successful in rendering local color and the atmosphere of the particular circle described in each book, his penetration into universal human nature is sufficiently deep to raise him far above provincialism. His effort is to represent people vividly and naturally in their normal relations, not to strain after sensational or even dramatic situations. "Trials and Tribulations" ("Irrungen Wirrungen", 1887) gives an excellent idea of his power. In a gently moving story, told without the forcing of emotion or the contriving of exciting scenes, he deals with the pathos of the relation between a man and a woman, alike in an attractive simplicity of character, but forced apart by difference of rank. The situation is laid before us without expressed censure or protest, and is allowed to have its effect by the sober truth of its presentation. Fontane's is an honest and sincere art, none the less great because unpretentious. (W.A.N.)

"The Poor Musician" is an autobiographical novella by Austria's famous dramatist and poet Franz Grillparzer (1791-1872): Rounded and compacted, and yet saturated with the sad tragedy of his own isolation -- it is the most artistic work we have from his pen. For the student of Grillparzer-psychology it is a veritable treasure trove. "The Poor Musician" was the one piece of his creative genius that unflinchingly grappled with the great problem of resignation; the one piece that pictured resignation; but also the one piece that made resignation itself tragic. --- The poor, half-witted fiddler, shipwrecked in life, coddling his woe as the last sweet treasure it has left him, pouring it forth in the midnight solitude of his chamber in music that is music to none but the illusioned player -- such is resignation.

Heinrich Heine (1797-1856) was a German poet and author of prose. His "Reisebilder" (Travel Sketches), "Die Harzeise" (Journey through the Harz Mountains), and the volume of collected poems "Buch der Lieder" (Book of Songs) are classics of German literature. --- His general interest in legends and folk tales is evident in his "Memoirs of Herr von Schnabelewopski", in which he tells, inter alia, the story of the Flying Dutchman that became the source for an opera by Richard Wagner. --- Many of his poems have been set to music by Franz Schubert, Felix Mendelssohn, Robert Schumann, Johannes Brahms, and other composers.

Austrian writer Baroness (Freifrau) Marie von Ebner Eschenbach (1830-1916) was one of the foremost novelists in the German tongue, and one of the best short-story writers in the world. The Austrian aristocracy with their Slavo-German dependents in the Moravian villages constitute the world of her fiction. Country and city are her theatres, noble and peasant keep the balance. All forms of the short-story are at her command: letters, diaries, dialogues, and that most difficult of all forms, the story within a story. --- Where can be found a more concrete and genial characterization of the leading political lords and ladies, more lifelike portraits of officialdom and of the much abused peasantry than in her historic tale "The District Doctor" (1883), which has as its background the bloody peasant uprisings in Galicia in 1846? Where do we find human sympathy ethically and artistically more refined than in her little masterpiece "Krambambuli" (1883), the story of a dog with spotless pedigree who, like Rudiger in the Nibelungen, perishes in the vain attempt to serve two masters? --- Of the qualities that make up a great writer she has the deep and high truth of substance. She does not view the world in the rosy light of the idyll. She never seeks to avoid the ugly. But more, she puts a high moral interpretation on human life. Her ethics is proof against all egotism and will bear comparison with that of the great moralists, ancient and modern."

During his stay in Italy, Heinrich Heine (1797-1856) visited Florence, with which he was delighted beyond measure. The literary outcome of this visit was the well-known fantastic and brilliant "Florentine Nights." It is a series of brilliant pictures united by a very slight thread of connection; it is charming in its vague and uneventful wandering, with its strong suggestion of the great original, the Arabian Nights, and its still stronger contrast. In addition, in this love-tale occur some of the best examples of Heine's biting vein.

No literature can produce a more original writer than Ernst Theodor Wilhelm Hoffmann (1776 1822), a German Romantic author of fantasy and horror, better known by his pen name E. T. A. Hoffmann (Ernst Theodor Amadeus Hoffmann). His works are very numerous and were published at Berlin in fifteen volumes. He is the subject and hero of Jacques Offenbach's famous but fictional opera The Tales of Hoffmann.---Of the two tales in this book, "The Sandman" is from the collection "Night Pieces," and The Elementary Spirit is from his "Later Works." In these stories, Hoffmann's purpose is to point out the ill-effect of a morbid desire after an imaginary world, and a distaste for realities. Different as their adventures are, there is a striking similarity in the characters of Nathaniel (in "The Sandman") and Victor (in "The Elementary Spirit"). However wild may be the subjects of Hoffmann, and however rambling his method of treating them, his style is remarkably lucid.---The story of the Sandman had its origin in a discussion which actually took place between La Motte Fouque (a German writer of the romantic movement, 1777 1843) and some friends, at which Hoffmann was present. Some of the party found fault with the cold, mechanical deportment of a young lady of their acquaintance, while La Motte Fouque zealously defended her. Here Hoffmann caught the notion of the automaton Olympia, and the arguments used by Nathaniel are those that were employed by La Motte Fouque."