Isabel finds herself grappling with ethically-complex matters of the heart as she tries to juggle her responsibilities to friends, family, and the philosophical community. With two small boys to raise, a mountain of articles to edit for the Review of Applied Ethics, and the ever-increasing demands of her niece, Cat, who always seems to need a helping hand at the deli, Isabel barely has any time for herself. Her husband, Jamie, suggests acquiring extra help, and she reluctantly agrees. In no time at all, Isabel and Jamie have a new au pair, and Isabel has an intelligent assistant editor to share her workload. Both women, though, have romantic entanglements that threaten to interfere with their work, and Isabel must decide how best to navigate this tricky domestic situation. Can an employer ever inject herself into her employees’ affairs? Meanwhile, Isabel makes the acquaintance of Patricia, the mother of Charlie’s friend Basil. Though Isabel finds Patricia rather pushy, she tries to be civil and supportive, especially given that Patricia is raising her son on her own, without the help of his father, a well-known Edinburgh organist, also named Basil. But when Isabel sees Patricia in the company of an unscrupulous man, she begins to rethink her assumptions. Isabel must once again call on her kindness and keen intelligence to determine the right course of action, at home, at work, and in the schoolyard.

It is summer in Edinburgh, and Isabel Dalhousie is once again caught between "gossip" and significant rumour. Patricia, the mother of her son Charlie's little friend Basil, is estranged from his father, and she has a somewhat brazen attitude to childcare. Isabel, however, has much more on her mind as editor of the REVIEW OF APPLIED ETHICS. Along with the work involved for its impending next issue, she needs to get her house in order and tend to the demands of her niece, Cat. But her sharp observation and assured role as confidante soon have Isabel doubting all her recent decisions. What's more, her instinct to help others may have put her in real danger. In her desire to run both a smooth household and working life, has she simply created more chaos?

Irreverently funny and surprisingly moving, All Passion Spent is the story of a woman who discovers who she is just before it is too late. After the death of elder statesman Lord Slane—a former prime minister of Great Britain and viceroy of India—everyone assumes that his eighty-eight-year-old widow will slowly fade away in her grief, remaining as proper, decorative, and dutiful as she has been her entire married life. But the deceptively gentle Lady Slane has other ideas. First she defies the patronizing meddling of her children and escapes to a rented house in Hampstead. There, to her offspring’s utter amazement, she revels in her new freedom, recalls her youthful ambitions, and gathers some very unsuitable companions—who reveal to her just how much she had sacrificed under the pressure of others’ expectations.

ISABEL DALHOUSIE - Book 1 Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective. Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small. In this first installment, Isabel is attending a concert in the Usher Hall when she witnesses a man fall from the upper balcony. Isabel can’t help wondering whether it was the result of mischance or mischief. Against the best advice of her no-nonsense housekeeper Grace, her bassoon playing friend Jamie, and even her romantically challenged niece Cat, she is morally bound to solve this case. Complete with wonderful Edinburgh atmosphere and characters straight out of a Robert Burns poem, The Sunday Philosophy Club is a delightful treat from one of our most beloved authors.

Isabel finds herself entangled in some tricky familial and financial situations that will require all of her kindness, charm, and philosophical expertise to navigate. Just when Isabel and Jamie finally seem to have some time to connect and unwind, a wealthy Edinburgh resident reaches out to Isabel with an unusual request—he would like her to become the executor of his large Highland estate. Though Isabel initially demurs, he presses on. He has only a short time to live, and, without any direct heirs, is struggling to determine which of his three cousins would be the best caretaker. Should it go to the bohemian artist, the savvy city property developer, or the quiet, unassuming bachelor? As if this weren’t enough to keep Isabel occupied, she’s also spending more time helping her niece Cat at the deli. Cat, perennially unlucky in love, seems to have finally found her match in the leonine Leo. But Isabel is beginning to suspect that Leo might be interested in more than Cat’s charms, namely her access to the family trust. Isabel will need to rely upon remarkable reserves of intelligence and compassion in order to give all parties exactly what they want and deserve—no more, and no less.

A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).