This book presents a controversial thesis concerning the composition of the Gospel According to John. Most New Testament scholars believe that John was independent of the other three (Synoptic) Gospels, although some hold that he may have been familiar with Mark. This has led many to attempt to reconstruct the history of the community within which and for which John must have written. Brodie argues, however, that until the source question is settled, the historical question remains fruitless. What has been missing from Johannine scholarship, he says, is an accurate sense of the way in which writers of the ancient world set about composing their works. Given this literary context, it can be argued that John knew and used not only all of the Synoptic Gospels, but Acts, Ephesians, and the Pentateuch as well. Finally Brodie concludes that 'John' was the individual John and not the mouthpiece of a putative 'Johannine Community'. The Gospel should thus be read as a unified work, and not as the product of an aggregation of different sources or different dates of redaction.

The Gospel of John is a magnificent book. Intricate fabrics interweave its beautiful robe and its material is a finely twisted linen of many colors. Throughout the history of the church, interpreters have long been captivated by its loveliness and power. Many modern interpreters, however, would not hesitate to call it puzzling, confusing, or ridden with riddles at least. "What is John?" is therefore a fascinating question that lingers. During the last half century, literary theories have been brought into the study of the Fourth Gospel with varying degrees of success. New analytical lenses are cast over the Gospel to render its secrets, but it feels as if only those who are initiated into its mystery have the knowledge. Reading and rereading strategies are offered, but the path out of the vast labyrinth is difficult to find. The Gospel of John, however, surprisingly reads much like the Old Testament. In fact, its form is deeply imbued in the styles of Old Testament poetry, narratives, and prophets, that when they are properly understood together, John's message comes across clearly. Taking a comprehensive view of the styles of the Old Testament, this book takes you to see John in its grand design.

This groundbreaking volume draws together an international group of leading biblical scholars to consider one of the most controversial religious topics in the modern era: Is the Gospel of John—the most theological and distinctive among the four canonical Gospels—historical or not? If not, why does John alone among the Gospels claim eyewitness connections to Jesus? If so, why is so much of John’s material unique to John? Using various methodologies and addressing key historical issues in John, these essays advance the critical inquiry into Gospel historiography and John’s place within it, leading to an impressive consensus and convergences along the way. The contributors are Paul N. Anderson; Mark Appold; Richard Bauckham; Helen K. Bond; Richard A. Burridge; James H. Charlesworth; Jaime Clark-Soles; Mary Coloe; R. Alan Culpepper; Craig A. Evans; Sean Freyne; Jeffrey Paul Garcia; Brian D. Johnson; Peter J. Judge; Felix Just, S.J.; Craig S. Keener; Edward W. Klink III; Craig R. Koester; Michael Labahn; Mark A. Matson; James F. McGrath; Susan Miller; Gail R. O’Day; Bas van Os; Tom Thatcher; Derek M. H. Tovey; Urban C. von Wahlde; and Ben Witherington III.

In this follow-up to They Were All Together in One Place? (2009) and Reading Biblical Texts Together (2022), biblical scholars from different racial/ethnic minoritized communities move beyond defining and pursing cross-cultural interpretation to investigating how spatial-geographical and temporal-historical locations affect the purposes and practices of minoritized biblical criticism today. Through an examination of a range of contemporary issues from HIV/AIDS to US immigration policy, contributors establish that how and why they engage the Bible are the result of the intersection of social and cultural factors. Contributors Cheryl B. Anderson, Hector Avalos†, Jacqueline M. Hidalgo, Tat-siong Benny Liew, Yii-Jan Lin, Vanessa Lovelace, Francisco Lozada Jr., Roger S. Nam, Aliou Cissé Niang, Hugh R. Page Jr., Jean-Pierre Ruiz, Fernando F. Segovia, Abraham Smith, and Vincent L. Wimbush demonstrate that interpretations carry broader implications for society and that scholars have ethical and political responsibilities to their communities and to the world.

This volume contains 22 papers originally delivered at the Society of Biblical Literature's 1995 commemoration of the 50th anniversary of the discovery of the Nag Hammadi Library. Of these papers, five focus on the theme "Past, Present, and Future Research on the Nag Hammadi Codices" (J.M. Robinson, S. Emmel, B.A. Pearson, H.-M. Schenke, E.M. Yamauchi); thirteen stem from three seminars respectively devoted to the Apocryphon of John (M. Waldstein, F. Wisse, K.L. King, and S. LaPorta), the Gospel of Thomas and the Thomasine tradition (P.-H. Poirier, P.H. Sellew, J.-M. Sevrin, I. Dunderberg, S.R. Johnson, A. DeConick), and the Gospel of Philip ( E. Pagels, E. Thomassen, M. Turner); and two deal with the Valentinian school (C. Markschies, L. Painchaud & T. Janz).

A Theology of John’s Gospel and Letters introduces the first volume in the BTNT series. Building on many years of research and study in Johannine literature, Andreas Köstenberger not only furnishes an exhaustive theology of John’s Gospel and letters, but also provides a detailed study of major themes and relates them to the Synoptic Gospels and other New Testament books. Readers will gain an in-depth and holistic grasp of Johannine theology in the larger context of the Bible. D. A. Carson (Trinity Evangelical Divinity School) says about Köstenberger’s volume that “for the comprehensiveness of its coverage in the field of Johannine theology (Gospel and Letters), there is nothing to compare to this work.” I. Howard Marshall (University of Aberdeen) writes, “This book is a ‘first’ in many ways: the first volume that sets the pattern for the quality and style of the new Biblical Theology of the New Testament series published by Zondervan; the first major volume to be devoted specifically to the theology of John’s Gospel and Letters at a high academic level; and the first volume to do so on the basis that here we have an interpretation of John’s theology composed by an eyewitness of the life and passion of Jesus.” The Biblical Theology of the New Testament Series The Biblical Theology of the New Testament (BTNT) series provides upper college and seminary-level textbooks for students of New Testament theology, interpretation, and exegesis. Pastors and discerning theology readers alike will also benefit from this series. Written at the highest level of academic excellence by recognized experts in the field, the BTNT series not only offers a comprehensive exploration of the theology of every book of the New Testament, including introductory issues and major themes, but also shows how each book relates to the broad picture of New Testament theology.

Revision of the author's thesis (Ph. D.)--University of Cambridge, 2003.