'They can claim to know her because she is unknowable. They see her form because she is formless. They speak her words because she never utters a word.'This is the story of Ganga, Madri, Pritha and Gandhari: powerful women who, driven by their fears and ambitions, trigger events that lead to an epic war, propelling kings, princes and warriors towards glory and bloodshed, sin and redemption. Here is a retelling of the Mahabharata through the eyes of its female characters, for what came to an end at Kurukshetra took root in throne rooms and bed chambers; hermitages and sacred lakes; prisons and shrines; on horseback and under the stars.

'Fans of The Winds of Hastinapur, who should be legion, will delight in reconnecting with Sharath Komarraju's alternative-Mahabharata universe, where divinities and royals are both complex, capricious beings - with the former distinguished only by slightly enhanced powers, and the latter by more immediate desires and ambition. Komarraju has set himself greater challenges in this sophomore outing of his series: the plot thickens, the players multiply and the geopolitical chessboard on which this epic game unfolds is a thing of beautiful intricacy.' - Karthika Nair, author of Until the Lions For the story of the Great War is also the story of the women . . .Amba lives for revenge, but circumstances and men conspire against her. Will her daughter bring her the only salvation she seeks? Kunti stakes all to free her brother Vasudev and his wife Devaki. Yet it is the groom-choosing ceremony that will define her life. Gandhari too has come of age, and is faced with a difficult choice: she must marry the blind prince of Hastinapur if she is to save her kingdom from the certain ruin it faces due to Hastinapur's deceit.In the background, Bhishma pulls the strings, making alliances and marriages, devising new strategies, ever increasing the might of Hastinapur.

Matsyagandha, Daseyi, Yojanagandha-the queen of Hastinapur, Satyavati. Abandoned as a baby, preyed on by a rishi, she hardens herself, determined that the next time she is with a man, she will be the one to win. And win she does: the throne of Hastinapur for herself, and the promise that her sons will be heirs to the kingdom. But at what cost? In a palace where she is disdained and scorned, Satyavati must set aside her own loss and pain if she is to play the game of politics. She learns to be ruthless, unscrupulous-traits that estrange her from everyone around. Everyone, except the man she cheated of his birthright.

'In a few moons the Goddess will claim me, and I do not have a fresh young virgin by my side to absorb my knowledge and take my place once I am gone. The Mysteries of Ganga and her Sight will vanish with me.' 'My hair is white and thin, now. In a few moons, the Goddess will claim me, and I do not have a fresh young virgin by my side to absorb my knowledge and take my place once I am gone. The Mysteries of Ganga and her Sight will vanish with me, and the Great River will become nothing more than a body of lifeless water ... It is my intention, therefore, to tell you the story as it happened, as I saw it happen.' The Mahabharata is the story of women, even though men have focused far too much on the Great Battle. It is women who have set events in motion, guided the action and measured the men. The Winds of Hastinapur begins at the point that Ganga was cursed and sent to Earth. She lives among the mortals and bears Shantanu, the King of Hastinapur, seven children, all of whom she kills. With the eighth, she leaves. That boy, who returns to Earth, will prove to be the key to the future of Hastinapur.The story, as told through the lives of his mother Ganga and stepmother Satyavati, is violent, fraught with conflict and touched with magic. A lady of the river who has no virgin daughter to carry on her legacy, Celestials who partake of a mysterious lake they guard with their very lives, sages overcome by lust, a randy fisher-princess - these and other characters lend a startling new dimension to a familiar tale. SharathKomarraju does not so much retell the epic as rewrite it

Queens of the Mahabharata is a fascinating portrayal of ambitious, courageous, and determined women whose eyes are unwaveringly fixed on the throne of Hastinapura. Decisive, subversive, and manipulative, they play a pivotal role in the fratricidal war of Mahabharata. They are discriminated against and blatantly objectified. But, facing all the adversity with stoic resolution and will power, they carve their paths, even challenging destiny.

Among the many characters who inhabit the Mahabharata, the world's greatest epic and the oldest, sometimes other stories unravelled from it, such as Shilavati, who cannot be king because she is a woman.