This is the first book devoted to the Queen's Men, one of the major acting companies of the age of Shakespeare. In describing the troupe's position in the general political situation and the London theatre scene of the 1580s, the authors break new ground by showing how Elizabethan theatre history can be refocused by concentrating on the company which produced the plays rather than on the authors who wrote them. The book combines a thorough examination of documentary evidence with textual and critical analysis, to provide a full account of the characteristics which gave the company its identity: its acting style, staging methods, touring patterns and repertoire. The conclusions will interest Elizabethan historians as well as students and scholars of early modern theatre.

John Medina is a living legend with the CIA, a shadowy specialist in Black Ops, those operations that are never openly funded, and the details of which never see the light of day. Only few people inside the CIA know him on sight, while foreign governments offer bounties for him, dead or alive. Neima Burdock is a communications specialist for the CIA who retired from field work after the death of her husband, also an agent and under orders from John Medina. When Niema is needed in an arms deal operation headed by John she is extremely reluctant to take the job but her director convinces her. Niema and John enter the underground world of an international arms dealer and its many dangerous and glamorous intrigues. They discover a passion for each other, but will they survive the race to evade the people who are trying to kill them and transmit the documents they have managed to steal?

“Sheer entertainment… Bennett infuses wit and an arch sensibility into her prose… This is not mere froth, it is pure confection.” — New York Times Book Review on The Windsor Knot Amateur detective Queen Elizabeth II is back in this hugely entertaining follow-up to the bestseller The Windsor Knot, in which Her Majesty must determine how a missing painting is connected to the shocking death of a staff member inside Buckingham Palace. At Buckingham Palace, the autumn of 2016 presages uncertain times. The Queen must deal with the fallout from the Brexit referendum, a new female prime minister, and a tumultuous election in the United States—yet these prove to be the least of her worries when a staff member is found dead beside the palace swimming pool. Is it truly the result of a tragic accident, as the police think, or is something more sinister going on? Meanwhile, her assistant private secretary, Rozie Oshodi, is on the trail of a favorite painting that once hung outside the Queen’s bedroom and appears to have been misappropriated by the Royal Navy. And a series of disturbing anonymous letters have begun circulating in the palace. The Queen’s courtiers think they have it all ‘under control’, but Her Majesty is not so sure. After all, though the staff and public may not be aware, she is the keenest sleuth among them. Sometimes, it takes a Queen’s eye to see connections where no one else can.

Publisher description

"In this major contribution to theater history and cultural studies, authors Lawrence Manley and Sally-Beth MacLean paint a lively portrait of Lord Strange's Men, a daring company of players that dominated the London stage for a brief period in the late Elizabethan era. During their short theatrical reign, Lord Strange's Men helped to define the dramaturgy of the era, performing the works of William Shakespeare, Christopher Marlowe, Thomas Kyd, and others in a distinctive and spectacular style, exploring innovative new modes of impersonation while intentionally courting political and religious controversy"--

The first full history of the first great Elizabethan play company, responsible for developing the main features of Shakespearean theatre.

Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.