This is the unique story of Louise Weber, better known as La Goulue. She became the undisputed Queen of the Moulin Rouge cabaret and the most famous dancer in France in the late 19th century. Toulouse Lautrec immortalized her in his world renowned poster and paintings of her dancing at the Moulin Rouge. She was the toast of Montmartre and Paris, her fame was tied to her outrageous dancing of the can-can, and she was the highest paid performer of her day. This book is the first fully researched and detailed study of La Goulue. The author Maryline Martin mined the archives of the Moulin Rouge where she found the actual diary of Louise Weber, and the Archive of the Prefecture of Paris to create this enormously entertaining and important biography. What emerges is a portrait of a fearless woman who broke all codes of conduct for a late 19th century woman. She willingly trampled on the social, moral, and religious conventions of her time demanding that women be treated as the equal of men. She created her own legend in her own time.

Welcome to the rich and storied world of the Moulin Rouge, one of Paris’ most iconic cabarets for nearly 150 years. Experience this venue’s art like never before with The Art of the Moulin Rouge. Through the ages, artists of all kinds have been attracted to the vibrancy and vivacity of the Moulin Rouge. Henri de Toulouse-Lautrec found inspiration in the Cancan and the impertinence of La Belle Epoque or “The Beautiful Era” that was late 19th-Century Paris. During the 1920s, Mistinguett, the “Queen of the Dance Hall” played muse to the young sketcher Gesmar. Since then, artists have continued to produce hundreds of paintings, prints, posters, and drawings that capture life as a performer in one of the most iconic venues in the world. Fans of Toulouse-Lautrec and the Moulin Rouge will enjoy The Art of the Moulin Rouge. Filled with coloring pages, dot-to-dot puzzles, and color-by-number templates based on the theatre’s most famous posters and program art, coloring enthusiasts will enjoy adding their own unique spin to these legendary and symbolic works of post-impressionism. Following a brief introduction to color theory and ideas for working in different color mediums, present-day artists embark on a creative journey through time to celebrate the lush lifestyles that epitomize Parisian culture as seen through the portals of the storied Moulin Rouge. Thirty full-color Moulin Rouge postcards are also included in this beautiful book.

New National Theatre, sole manager W.H. Rapley. Thomas W. Ryley presents the musical comedy-drama "The Queen of the Moulin Rouge," by Paul M. Potter, music by John T. Hall, lyrics by Vincent Bryan, staged under the direction of Mr. Frank Smithson, special dances by Mr. Joseph C. Smith, orchestra under the direction of Mr. Fred. Eustis.

Documents the work of the often neglected director of the German silent film classic, The Cabinet of Dr. Caligari. The chapters move chronologically through the different periods of Wiene's career, summarizing and critiquing 90 films he either directed or wrote. Originally published in German, the book includes black and white photographs and a filmography. Annotation copyrighted by Book News, Inc., Portland, OR

Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself--as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers. With Beyond the Moulin Rouge, the first substantive English-language study of La Goulue's career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, fêted by royalty and followed as closely as any politician or monarch. Visconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber's diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century. Peculiar Bodies: Stories and Histories

Montmartre: A Cultural History offers an engaging tour of one of the most fascinating areas of Paris, exploring a rich history from the Belle Epoque to the Occupation. The work explores many iconic areas of Paris, such as the Moulin-Rouge and Sacré-Coeur.

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses – and then there is Sarah Bernhardt.” In 1899, the international stage celebrity set out to tackle her most ambitious role yet: Hamlet. Theresa Rebeck’s new play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt’s career.