This book provides a critical and biographical account of the fascinating hand-made book of rector William Greswell (1848-1923), in which he assembled British and American reviews and accounts of the Romantic poet, critic, philosopher, and religious thinker Samuel Taylor Coleridge (1772-1834). J.C.C. Mays re-evaluates Coleridge’s nineteenth-century reputation through the lens provided by Greswell’s workbook. Mays demonstrates how Coleridge is one of the most complicated and influential religious thinkers of the nineteenth century, whose “religious musings” (most prominently as published in Aids to Reflection and On the Constitution of the Church and State, but also in posthumous collections such as Confessions of an Inquiring Spirit) cast a long shadow over religious thinking in nineteenth-century England and America. Although Greswell was but one of Coleridge’s many readers in the nineteenth century, his engagement with Coleridge’s writings was noteworthy for the sheer mass of the materials he assembled, and the breadth of the Coleridge he depicts. Greswell’s Coleridge is a Coleridge in whom all Coleridgeans will be interested.

Why does landscape matter to us? We rarely articulate the often highly individual ways it can do so. Drawing on eight remarkable unpublished diaries, Jeremy Burchardt demonstrates that responses to landscape in modern Britain were powerfully affected by personal circumstances, especially those experienced in childhood and youth. Four major patterns are identified: 'Adherers' valued landscape for its continuity, 'Withdrawers' for the refuge it provides from perceived threats, 'Restorers' for its sustaining of core value systems, and 'Explorers' for its opportunities for self-discovery and development. Lifescapes sets out a new approach to landscape history based on comparative biography and deep contextualization, which has far-reaching implications. It foregrounds family structures and relationships and the psychological dynamics they generate. These, it is argued, were usually a more decisive presence in landscape encounters than wider cultural patterns and forces. Seen in this way, landscape can be understood as a mirror reflecting our innermost selves and the psychosocial influences shaping our development. This is a compelling and original study of the relationship between individual lives and landscapes.

We live in an age of unprecedented environmental change: global, interconnected and universal. Yet though our lives are inextricably connected to global processes, and increasingly mobile, we still live in particular places. Our perceptions of change, and what kind of change might be for good or ill, are shaped by the interaction of localised experience and the wider forces of transformation. Local Places, Global Processes examines how these relationships have been shaped in Britain over time in three ways. First, through essays addressing influential ways of understanding and debating questions of ‘the state of nature’. These are complemented by case studies on conservation, landscape change and management, and how perceptions of environmental change have emerged or been discarded over time. Chapters also draw on a series of site-based workshops that brought together historians, landscape managers and artists to discuss and reflect on particular sites: Wicken Fen in Cambridgeshire, owned by the National Trust and the first British nature reserve; the Quantock Hills Area of Outstanding Natural Beauty in Somerset, England’s first AONB and a landscape enriched by Romantic association; and the landscape of Kielder Water and Forest, a land of superlatives in Northumberland in north-eastern England – the largest planted forest and artificial lake in northern Europe. The multi-disciplinary approach draws together the exchanges, artworks and writing assembled at these workshops and afterwards. This opens up how being in a place, and engaging with ideas attached to it, shape perceptions of the environment. It provides resources with which landscape managers can think about their tasks and engage various publics in discussion about future environments in light of these histories of place. Rather than a history of these three places, this is history written from them.

The Quantock Hills, famous for their associations with Coleridge and Wordsworth in the 19th century, have been the canvas on which are sketched the shadowy images of people who lived on the land from prehistoric times to the present. There are Bronze Age cairns and burial mounds, Iron Age hillforts, Roman settlements, medieval manors and post-medieval estates, right through to stark monuments of the Second World War and the Cold War. This book presents and interprets the Quantocks landscape after a dedicated programme of archaeological fieldwork, air photograph transcription and architectural investigation by English Heritage. It describes the results in a readable book including full colour illustrations and line drawings throughout, plus a series of lively reconstruction paintings by the artist Jane Brayne.