The Quantock Hills, famous for their associations with Coleridge and Wordsworth in the 19th century, have been the canvas on which are sketched the shadowy images of people who lived on the land from prehistoric times to the present. There are Bronze Age cairns and burial mounds, Iron Age hillforts, Roman settlements, medieval manors and post-medieval estates, right through to stark monuments of the Second World War and the Cold War. This book presents and interprets the Quantocks landscape after a dedicated programme of archaeological fieldwork, air photograph transcription and architectural investigation by English Heritage. It describes the results in a readable book including full colour illustrations and line drawings throughout, plus a series of lively reconstruction paintings by the artist Jane Brayne.

Four independent-minded sisters come of age in the early 1900s - and four interwoven novels tell their stories, each through a different sister's eyes. The year is 1910, and the four Purcell sisters have only each other. Their mother has died, leaving them orphans in a rambling country estate. But with the help of the Mackenzies - their guardian and his family, whom the sisters come to love in very different ways - Sarah, Frances, Julia, and Gwen find the courage to follow their own paths in a world that is rapidly changing. Avid readers and fans of historical-fiction classics will love these spirited heroines - named "the Little Women of our times" by the TIMES of London - and will be thoroughly absorbed by their intertwining tales, full of feistiness, creativity, and young romance.

Spring was late in 1913 and Edward Thomas decided to go and search for winter's grave and the tell-tale signs of season's turn - he set out to cycle westwards from London to the Quantocks. Edward Thomas 1878-1917 turned from writing prose to poetry in 1914. His work as a poet has been widely celebrated and admired - Ted Hughes described Thomas as "the father of us all". The Pursuit of Spring, originally published in 1914, bridges the divide between Thomas the journalist/critic and Thomas the highly regarded poet.

This collection of over 140 photographs depicts one of England's little gems, the Quantock Hills. Craig Hutchings demonstrates his love of this wonderful landscape, not only through the well known vistas but those secret places only a local would know.

Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.