‘I hate and despise business and anything to do with making money.’ ‘Do you think it’s wrong?’ ‘It is the enemy of art.’ Eighteen-year-old Honor Lawrence is out of place at the bank where she works. When she refuses to accept a promotion, despite her obvious poverty, her mentor, Augustus Debrett, doesn’t quite know what to make of it, or of her. Honor is an enigma—and she leaves confusion and uneasiness in her wake. In The Puzzleheaded Girl, made up of four thematically linked novellas, Stead’s unsurpassable skills of observation and social critique are on full display. Christina Stead was born in 1902 in Sydney. Stead’s first books, The Salzburg Tales and Seven Poor Men of Sydney, were published in 1934 to positive reviews in England and the United States. Her fourth work, The Man Who Loved Children, has been hailed as a ‘masterpiece’ by Jonathan Franzen, among others. In total, Stead wrote almost twenty novels and short-story collections. Stead returned to Australia in 1969 after forty years abroad for a fellowship at the Australian National University. She resettled permanently in Australia in 1974 and was the first recipient of the Patrick White Award that year. Christina Stead died in Sydney in 1983, aged eighty. She is widely considered to be one of the most influential Australian authors of the twentieth century. ‘Christina Stead’s talent is vital and powerful; her work has that original streak of genius so evident in the best Australian writing.’ Sunday Times ‘Stead effortlessly captures the feel of the era she is describing, with spare and beautiful prose.’ BookMooch ‘I loved the Text Classic reissue of Christina Stead’s The PuzzleHeaded Girl, a kind of female version of Bartleby the Scrivener. Stead’s gifts are so ample, her grasp of obsession extraordinary.’ Delia Falconer, Best Books of 2016, Australian ‘These are perfectly pitched stories of flight.’ Australian Financial Review ‘At shorter length, Stead reveals more clearly her gifts in tone and voice and building a scene, while her theme here puts these fictions among the Ur-texts of feminism.’ Kirkus Reviews, starred review

Stead's novels have gained growing readership and critical attention in recent years. This feminist reading of the life and work of Christina Stead focuses on her characters and themes that question established assumptions about gender and class relations and the aesthetic values they support.

"Like smoke off a collision between Dennis Cooper's George Miles Cycle and Beyond The Black Rainbow, absorbing the energy of mind control, reincarnation, parallel universes, altered states, school shootings, obsession, suicidal ideation, and so much else, B.R. Yeager's multi-valent voicing of drugged up, occult youth reveals fresh tunnels into the gray space between the body and the spirit, the living and the dead, providing a well-aimed shot in the arm for the world of conceptual contemporary horror." -Blake Butler, author of Three Hundred Million "Ever wonder where teenage children go at night? Perhaps it's best not knowing the answer. There's something amiss in Kinsfield, a drab, boring city much like your own, except for the teenage suicide epidemic, stagnant, ineffectual parents, cultish behavior that borders on psychosis, and strings, strings everywhere. B.R. Yeager's Negative Space is a hypnotic collage of message boards, memes, and ruined bodies twisting at the end of a rope. Most modern novels have lost all concept of magic. B.R. Yeager's Negative Space is a stunning refutation of the quotidian." -James Nulick, author of Haunted Girlfriend & Valencia

This is the first volume of essays by various hands on the work of the great Australian novelist Christina Stead (1902-83). It provides an overview of Stead criticism, including pioneering 'classic' essays, together with a selection from the burgeoning critical literature of the 1980s and '90s, and several articles not previously published.

Amy Witting was a master of the short story, the genre in which she felt ‘most at home’. Her subjects—childhood and school, marriage and loneliness, the cruelty of men and women—are rendered in a crisp, understated style, at once compassionate and unsentimental. This new selection of twenty pieces from across five decades includes the acclaimed novella-length ‘The Survivors’ and the final appearance of Isobel Callaghan from I for Isobel. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria’s War; two collections of short stories; two books of verse, Travel Diary and Beauty Is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Witting was awarded the 1993 Patrick White Prize. Isobel on the Way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. ‘Brilliant distillations...tinged with latent tenderness.’ New York Times

When her husband of three decades announces he has a younger lover and wants a divorce, Ella Ferguson realises how protected her life has been—she has ‘seen no evil, heard no evil and spoken no evil’. Alone, enraged, she must come to terms with her failed marriage and her relationships with her adult children. A Change in the Lighting, Amy Witting’s third novel, is the compelling story of a woman cast adrift. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria’s War; two collections of short stories; two books of verse, Travel Diary and Beauty Is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Witting was awarded the 1993 Patrick White Prize. Isobel on the Way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. ‘A wry and powerful novel of family entanglements.’ Sydney Morning Herald