The 46th annual edition of the most celebrated literary series in America. Over 60 brilliant stories, poems and essays from ?dozens of small presses, ?as selected from 900 presses worldwide by ?more than ?200 distinguished staff contributing editors. Series Honors: The American Academy of Arts and Letters awarded Pushcart its 2020 recognition for “Distinguished Service to the Arts.” The National Book Critics Circle cited Bill Henderson for its Ivan Sandrof “Lifetime Achievement” award in 2006. In 2005 Poets &Writers / Barnes and Noble noted Pushcart for their Writers For Writers prize. And in 1978 Publishers Weekly’s Carey-Thomas Award went to the Pushcart Prize. Reviews of last year’s edition: Booklist - “Resplendent…A perennial must have.” Publishers Weekly - “A trove of fine writing.” Kirkus - ”Strong and wide ranging." Library Journal (starred) - "Fascinating ….A must have for all collections."

The 46th annual edition of the most celebrated literary series in America. Over 60 brilliant stories, poems and essays from ?dozens of small presses, ?as selected from 900 presses worldwide by ?more than ?200 distinguished staff contributing editors. Series Honors: The American Academy of Arts and Letters awarded Pushcart its 2020 recognition for “Distinguished Service to the Arts.” The National Book Critics Circle cited Bill Henderson for its Ivan Sandrof “Lifetime Achievement” award in 2006. In 2005 Poets &Writers / Barnes and Noble noted Pushcart for their Writers For Writers prize. And in 1978 Publishers Weekly’s Carey-Thomas Award went to the Pushcart Prize. Reviews of last year’s edition: Booklist - “Resplendent…A perennial must have.” Publishers Weekly - “A trove of fine writing.” Kirkus - ”Strong and wide ranging." Library Journal (starred) - "Fascinating ….A must have for all collections."

The 45th edition of the most celebrated literary series in America. Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses.The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.Here are 70 authors from more than 50 presses as selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses.Recent reviews include: “Essential.” Library Journal“Must reading” Kirkus Reviews“Distinguished.” New York Times Book Review

Taking place in locales as diverse as small-town Ohio, the mountains of western North Carolina, and the plains of Kansas, Lin-Greenberg's stories provide insight into the human condition over a cross section of age and culture. Although the characters are often faced with challenges, the stories capture moments of optimism and hope.

“Olivia Clare is pure literary dynamite . . . [She] writes with Carveresque clarity and bite and an elegance all her own. A bravura debut.” —Janet Fitch, #1 New York Times–bestselling author of White Oleander Olivia Clare’s delightfully strange and tender debut collection traces the impact of larger-than-life forces on everyday people. From siblings whose relationship is as fragile as glass, to a woman grappling with both an emotional and physical drought, to a superstitious spouse fearful of misfortune, Disasters in the First World explores the real and the imagined, environmental and man-made calamities, and the human need to comprehend the unknown. “These insightful stories . . . flout convention and work in mysterious ways. Two in particular—‘Pétur’ and ‘The Visigoths’—will probably be anthologized and taught and cherished for years to come. They’re so well crafted . . . [they] flicker with moments of rare insight and nuance . . . makes me want to pick up whatever Clare publishes next.” —Andrew Ervin, The New York Times Book Review “Lyrical and elegiac . . . Clare’s writing sparkles with unexpected word choice . . . Her stories unfold in wonderfully astonishing turns . . . Tender yet occasionally biting, Disasters in the First World ekes narrative poetry out of tragedy . . . Clare writes compassionately and unflinchingly about mental suffering.” —Shelf Awareness “Olivia Clare’s debut collection will surprise you with its poetic weirdness, its dark confidence. The ‘disasters’ in these stories are tragically indefinite, fissures in the lives of the characters, whom Clare brings to life with humor, wisdom, and brutal honesty.” —Vu Tran, author of Dragonfish

“Exceptionally compelling . . . even the stories without surreal contours seem to be set in a world that is not quite our own.” —New York Daily News The stories in Rise are fairytales, except that the witch, lucky Hans, and the frog prince are characters at the fringes of everyday life. There are rockets, swells of starlings, and children who disappear into thin air. L. Annette Binder writes magical tales with authority and restraint, and we believe her stories, every one. “In one of these amazing stories a character says to her husband, ‘Why are you smiling? You’re scaring me.’ That’s how I feel about Rise. There is a yearning so deep in each story, something beautiful and urgent, that the book glows. L. Annette Binder arrives with worlds of empathy and strange surprise.” —Ron Carlson “L. Annette Binder is a stunningly talented writer. Her stories are the stories of outsiders, gripping and heartfelt, heightened with hidden undertones of the surreal. It is this tension that makes the worlds she creates so vibrant, and allows her readers to see so deeply into these characters’ souls. Rise is a beautiful book, and Binder’s words cut clear and straight to the bone.” —Hannah Tinti “She both casts a spell and breaks it. To experience Rise is to experience wonder.” —Laura Kasischke

Essays by a Whiting Award winner: “Like a descendant of Lewis Carroll and Emily Dickinson . . . one of the most exciting and original writers in America.” —Yiyun Li, author of Must I Go Things That Are takes jellyfish, fainting goats, and imperturbable caterpillars as just a few of its many inspirations. In a series of essays that progress from the tiniest earth dwellers to the most far-flung celestial bodies—considering the similarity of gods to donkeys, the inexorability of love and vines, the relations of exploding stars to exploding sea cucumbers—Amy Leach rekindles a vital communion with the wild world, dormant for far too long. Things That Are is not specifically of the animal, the human, or the phenomenal; it is a book of wonder, one the reader cannot help but leave with their perceptions both expanded and confounded in delightful ways. This debut collection comes from a writer whose accolades precede her: a Whiting Award, a Rona Jaffe Award, a Best American Essays selection, and a Pushcart Prize, all received before her first book-length publication. Things That Are marks the debut of an entirely new brand of nonfiction writer, in a mode like that of Ander Monson, John D’Agata, and Eula Biss, but a new sort of beast entirely its own. “Explores fantastical and curious subjects pertaining to natural phenomena . . . for those interested in looking at the natural world through the lens of a fairy tale, this is a bonbon of a book.” —Kirkus Reviews