"The Pursuit of the Heiress" is a new, greatly enlarged and more widely focused version of what the late Lawrence Stone described as "a brilliant long essay or short book on the subject of the role of heiresses among the Irish aristocracy," which was published by the Ulster Historical Foundation under the same title in 1982 and has long been out of print. The new book comes to the same broad conclusions about heiresses--namely that their importance as a means of enlarging the estates or retrieving the fortunes of their husbands has been much exaggerated. This was because known heiresses were well protected by a variety of legal devices and, in common with many aristocratic women of the day, also had minds and strong preferences of their own--which meant that they were not generally an object of deliberate or profitable pursuit. The new book also ranges more widely than its central theme of heiresses and addresses other aspects of aristocratic marriage such as abductions, elopements, mesalliances, the supposed "rise of the affective family," and the disadvantaged situation of even the richest and most privileged women in an age when both adultery and divorce were largely the prerogative of men.

"The Pursuit of the Heiress" is a new, greatly enlarged and more widely focused version of what the late Lawrence Stone described as "a brilliant long essay or short book on the subject of the role of heiresses among the Irish aristocracy," which was published by the Ulster Historical Foundation under the same title in 1982 and has long been out of print. The new book comes to the same broad conclusions about heiresses--namely that their importance as a means of enlarging the estates or retrieving the fortunes of their husbands has been much exaggerated. This was because known heiresses were well protected by a variety of legal devices and, in common with many aristocratic women of the day, also had minds and strong preferences of their own--which meant that they were not generally an object of deliberate or profitable pursuit. The new book also ranges more widely than its central theme of heiresses and addresses other aspects of aristocratic marriage such as abductions, elopements, mesalliances, the supposed "rise of the affective family," and the disadvantaged situation of even the richest and most privileged women in an age when both adultery and divorce were largely the prerogative of men.

Biographical studies of the two Dukes of Ormonde illuminate aspects of the operation of political power in seventeenth-century Ireland, and, on a wider European stage, the predicaments facing the nobility.

Through the colorful family histories and rich detail of the Zimmern Chronicle, historian Judith Hurwich examines marriage, family, and sexuality among the early modern German nobility. She uses the house chronicles of the Zimmern family and the families of the counts and barons with whom they intermarried to investigate marriage and nonmarital sexuality in the southwest German nobility in the late fifteenth and the sixteenth centuries. Along with a deeper look at women’s roles as wives, mothers, and concubines, Noble Strategies shines a light on the intimate lives of the early modern German elite.

Eileen Spring presents a fresh interpretation of the history of inheritance among the English gentry and aristocracy. In a work that recasts both the history of real property law and the history of the family, she finds that one of the principal and determinative features of upper-class real property inheritance was the exclusion of females. This exclusion was accomplished by a series of legal devices designed to nullify the common-law rules of inheritance under which--had they prevailed--40 percent of English land would have been inherited or held by women. Current ideas of family development portray female inheritance as increasing in the seventeenth and eighteenth centuries, but Spring argues that this is a misperception, resulting from an incomplete consideration of the common-law rules. Female rights actually declined, reaching their nadir in the eighteenth century. Spring shows that there was a centuries-long conflict between male and female heirs, a conflict that has not been adequately recognized until now.

Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bête humaine and La Règle du jeu. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potential of film art.

Reproduction of the original: The Real Shelley by John Cordy Jeaffreson