This is a blank journal with a cover image of a tree branch with white and purple flowers. This book is a 6 x 9 paperback with 200 lined white pages. Perfect for use as a journal, dream diary, fiction notebook or poetry book.

A cute notebook perfect for writing notes and journaling your thoughts, 6 x 9, 120 pages.

The Flower Year is a flower coloring book celebrating of a year of of flowers, birds, butterflies and small creatures to color in, adding up to a year's worth of coloring enjoyment. The Flower Year is a hardcover book, with intricate illustrations by Leila Duly, a textile print designer. Duly's work is inspired by old Victorian etchings, unique vintage finds and the English countryside. Leila's first book was Floribunda: A Flower Coloring Book, published by Laurence King in 2016 followed by Floribunda, A Flower Coloring Journal and a calendar. "Beautiful, silken ivory pages in these smaller sized, hardback books. Laurence King Publishing produce top quality journals and this Journal, and Book, are right up there. As you'll see from the video, the Journal has a few blank pages between the drawings. The Flower Year has interesting quotes on the title page for each month and at the back is a pictorial index to the images that lists the plants in each drawing. You'll be referring to this a lot as you research your flowers and leaves. Pencils will be fine but make sure you test any water based pens on an inconspicuous page. The covers continue the soft pink covers that we associate with Leila." Prue, Colour + Blog "This is a very beautiful book filled from cover to cover with detailed images of delicate flowers. Every page is different, it never feels like you're coloring the same picture twice because there is so much variety. There are single page drawings, pages with a collection of single flowers along with their names and larger pictures that cover a double page. I particularly liked the index pages at the back of the book which gives you the names of all of the plants used in the pictures. I would definitely recommend, it's my new favorite." Amazon reviewer

On a chilly evening in March, 1917, 17-year-old Virginia Lampley disappears from her upper-class home in Richmond, Virginia. Her straight-laced parents never see or hear from her again. Seventy years later, her granddaughter Christine begins an earnest search for Virginia, using a single diary entry as the only clue to her whereabouts. In March, 1977, ill-tempered reference librarian William Wilson begins his own diary in an attempt to explain why his existence is so loathsome to him. When he meets Christine by chance in the library, he begins to be as obsessed by her as she is by her grandmother. When he finds that she has been writing a journal about her activities, his boring life takes a turn that he never could have imagined. Their search takes them not only into the life of the theater in the early 1900s, but into their childhoods as well, where it turns out that nothing is what it seems. Three notebooks; three diaries; three very different fates.

This novel set in North Carolina is “warmly humorous, gossipy, and rich―a book with the soul of a family reunion” (The New York Times Book Review). The Copeland family goes back a long way in North Carolina. Albert Copeland keeps a written record, of sorts, in some notebooks he bought back in 1956 to log the flights of his home-built floatplane. He embarked on that project when the kids were still little, but now they’re all grown: Thatcher has a son of his own; Meredith and Mark are back from Vietnam; and Noralee is off dating hippies. The notebooks are thick with the floatplane’s failures to lift off, and bulging with color Polaroids of the wisteria blossoms near the family plot, favorite family dogs, and Thatcher and Bliss’s wedding; records of Noralee’s height and weight; a diagram of the graveyard; a newspaper story about wild-child Meredith’s many backfired schemes. This novel travels back in time more than one hundred years, to the Copeland bride who first planted the wisteria by the back porch that would take over the surrounding woods, and then back to the present again to show how even though times change, people are pretty much the same. “Among the wisest, most heartfelt writing to emerge from the South in our generation . . . Meredith Copeland’s first-person account of his Vietnam experience, homecoming, and physical paralysis in North Carolina is breathtakingly stark, full, and real.” ―Los Angeles Times “The Floatplane Notebooks has all the marks of a master storyteller going straight for the mystery itself. All the marks, that is, of a new American classic.” ―The Atlanta Journal-Constitution “A wonderful celebration of family and tradition, with warts, humor, tragedy, and triumph . . . An exceedingly rich book, a celebration of the human spirit that is brilliantly conceived, structured, and executed.” ―The Cincinnati Post

Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.

General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume III thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.