A mourning father takes a troubled man into his home only to lead a deranged lunatic to his door in this noir thriller from the author of Savage Highway. After Shepherd Butler finds Maxwell Heed freezing in the forest in Vermont, he takes him into his home with his wife, his nieces, and his sister. They instantly take to Maxwell. He’s a sincere, religious man, seeking to understand the nature of forgiveness. He feels like just another member of the family. Then he opens up to Shepherd and his wife about the man who killed his fiancée… Temple Jones is a dangerous psychopath who preys on women. He has escaped justice, and Maxwell fears he has followed him to Vermont. Shepherd tries to ease Maxwell’s fears, but Maxwell soon vanishes… And Temple Jones shows up…. “Godwin writes intelligent noir from a unique psychological perspective, delving deep into the nobler motives and emotions of his engaging characters while examining the darkest corners of the human heart. The faceless villain in this chiller is as real as a razor cut….Before you sit down on a cool dark night to enjoy this one, make sure the doors and windows are locked.”—Phil Bowie, author of the John Hardin series

The first comprehensive undercover look at the terrorist movement no one is talking about. Men Who Hate Women examines the rise of secretive extremist communities who despise women and traces the roots of misogyny across a complex spider web of groups. It includes eye-opening interviews with former members of these communities, the academics studying this movement, and the men fighting back. Women's rights activist Laura Bates wrote this book as someone who has been the target of many hate-fueled misogynistic attacks online. At first, the vitriol seemed to be the work of a small handful of individual men... but over time, the volume and consistency of the attacks hinted at something bigger and more ominous. As Bates went undercover into the corners of the internet, she found an unseen, organized movement of thousands of anonymous men wishing violence (and worse) upon women. In the book, Bates explores: Extreme communities like incels, pick-up artists, MGTOW, Men's Rights Activists and more The hateful, toxic rhetoric used by these groups How this movement connects to other extremist movements like white supremacy How young boys are targeted and slowly drawn in Where this ideology shows up in our everyday lives in mainstream media, our playgrounds, and our government By turns fascinating and horrifying, Men Who Hate Women is a broad, unflinching account of the deep current of loathing toward women and anti-feminism that underpins our society and is a must-read for parents, educators, and anyone who believes in equality for women. Praise for Men Who Hate Women: "Laura Bates is showing us the path to both intimate and global survival."—Gloria Steinem "Well-researched and meticulously documented, Bates's book on the power and danger of masculinity should be required reading for us all."—Library Journal "Men Who Hate Women has the power to spark social change."—Sunday Times

At the peak of the Yellow Mountain, the devil was reborn; on the banks of the Karas Lake, the mysterious master manipulated the devil; in the distant skies, the Heavenly Wolf Lady and the Dark King descended, entangling each other for countless years. the Great Song and Mongolia, the two strongest forces in the north and south, battled endlessly from the martial arts world to the temple.

The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.

Both volumes of this work have as their central concern to sort out who one is from what one is. In this Book 1, the focus is on transcendental-phenomenological ontology. When we refer to ourselves we refer both non-ascriptively in regard to non-propertied as well as ascriptively in regard to propertied aspects of ourselves. The latter is the richness of our personal being; the former is the essentially elusive central concern of this Book 1: I can be aware of myself and refer to myself without it being necessary to think of any third-personal characteristic; indeed one may be aware of oneself without having to be aware of anything except oneself. This consideration opens the door to basic issues in phenomenological ontology, such as identity, individuation, and substance. In our knowledge and love of Others we find symmetry with the first-person self-knowledge, both in its non-ascriptive forms as well as in its property-ascribing forms. Love properly has for its referent the Other as present through but beyond her properties. Transcendental-phenomenological reflections move us to consider paradoxes of the “transcendental person”. For example, we contend with the unpresentability in the transcendental first-person of our beginning or ending and the undeniable evidence for the beginning and ending of persons in our third-person experience. The basic distinction between oneself as non-sortal and as a person pervaded by properties serves as a hinge for reflecting on “the afterlife”. This transcendental-phenomenological ontology of necessity deals with some themes of the philosophy of religion.

Distributed to some depository libraries in microfiche.

This book gives one of the most comprehensive and unique accounts of prejudice and racial discrimination in the united states of America in the early nineteen sixties to the present time. Sydney, who later became an American citizen, lived in the united states for fifty years. However, as an African student in the United States, he observed and experienced prejudice and discrimination. The account of racial unrest in the United States is given in this book without emotions or bitterness, but endeavors to be realistic about the problem of racism. The book deals with root causes of racism, prejudice and racial discrimination in the United States, and provides some useful suggestions about solutions. The book is very readable and engaging, with true stories of romance and love. Venerable Dr. Sydney Ugwunna is now a friend of at least two of the presidents of the United States, presidents Clinton and Obama, and a close friend and admirer of the beloved queen of England, her majesty, Queen Elizabeth II. The venerable (Prof.) Sydney C. Ugwunna is a prominent, retired, grateful priest of the Church of England.