Mediaeval books. Murdered priests. Bioweapons. Renowned nonverbal communications expert Doctor Genevieve Lenard's search for an international criminal is interrupted when her team receives an antique book. At first the book is dismissed--until they discover similar books gifted to people who are now dead. Genevieve's inner strength is put to the ultimate test when someone close to her also falls victim to the vengeful actions of an unsound mind. Barely coping with the emotional maelstrom and her doubts about her own continued involvement in the team, she looks for connections between their original case, the books and the many suspicious deaths they uncover. But the cost might be too high for Genevieve as she rushes to stop the person set on destroying as many lives as possible.

Murdered artists. Masterful forgeries. Art crime at its worst. As an insurance investigator and world renowned expert in nonverbal communication, Dr Genevieve Lenard faces the daily challenge of living a successful, independent life. Particularly because she has to deal with her high functioning Autism. Nothing - not her studies, her high IQ or her astounding analytical skills - prepared her for the changes about to take place in her life. It started as a favour to help her boss' acerbic friend look into the murder of a young artist, but soon it proves to be far more complex. Forced out of her predictable routines, safe environment and limited social interaction, Genevieve is thrown into exploring the meaning of friendship, expanding her social definitions, and for the first time in her life be part of a team in a race to stop more artists from being murdered. The Gauguin Connection is an art crime novel with an autistic main character who explores the mystery of political intrigue, art heists, white collar crime, kidnapping and so much more! Enjoy this FREE book.

A decades-old crime. A torment not forgiven. Ice-cold revenge. When a prolific international criminal takes one of Doctor Genevieve Lenard’s friends hostage in his own flat, she is hard pushed to believe his motivation. Calling on her expertise as a nonverbal communications specialist, she sees the genuine fear and desperation behind this thief’s blustering demand to help him stop the Collector. For almost a year, the Collector has evaded Genevieve and her team, leaving behind a trail of stolen artworks, burned-down museums and blown-up galleries. And innocent victims. Grudgingly cooperating with this thief and his associates, Genevieve and her team track the Collector to the cobbled alleyways of Lisbon, Portugal, where they have only one chance to stop this merciless killer from exacting revenge that took decades to plan—an action that would have an irreversible political and economic impact on a global scale.

This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years’ War.

“Martin’s final word is as Jungian as it is Catholic: God does not want us to be Mother Teresa or Dorothy Day. God wants us to be most fully ourselves.” —Washington Post Book World WITTY, WRYLY HONEST, AND ALWAYS ORIGINAL, My Life with the Saints is James Martin’s story of how his life has been shaped by some surprising friends—the saints of the Catholic Church. In his modern classic memoir, Martin introduces us to saints throughout history—from St. Peter to Dorothy Day, St. Francis of Assisi to Mother Teresa—and chronicles his lifelong friendships with them. Filled with fascinating tales, Martin’s funny, vibrant, and stirring book invites readers to discover how saints guide us throughout our earthly journeys and how they help each of us find holiness in our own lives. Featuring a new chapter from Martin, this tenth-anniversary edition of the best-selling memoir updates readers about his life over the past ten years. In that time, he has been a New York Times best-selling author, official chaplain of The Colbert Report, and a welcome presence in the media whenever there’s a breaking Catholic news story. But he has always remained recognizably himself. John L. Allen, Jr., the acclaimed Catholic journalist, contributes a foreword that shows how Martin has become one of the wisest and most insightful voices of this era. “An outstanding and often hilarious memoir.” —Publishers Weekly “One of the best spiritual memoirs in years.” —Robert Ellsberg “Remarkably engaging.” —U.S. Catholic One of Publishers Weekly’s Best Books of the Year Winner of the Christopher Award Winner of the Catholic Press Association Book Award

Art theft. Coded messages. A high-level threat. Despite her initial disbelief, Doctor Genevieve Lenard discovers that she is the key that connects stolen works of art, ciphers and sinister threats. Betrayed by the people who called themselves her friends, Genevieve throws herself into her insurance investigation job with autistic single-mindedness. When hacker Francine appears beaten and bloodied on her doorstep, begging for her help, Genevieve is forced to get past the hurt of her friends' abandonment and team up with them to find the perpetrators. Little does she know that it will take her on a journey through not one, but two twisted minds to discover the true target of their mysterious messages. It will take all her personal strength and knowledge as a nonverbal communications expert to overcome fears that could cost not only her life, but the lives of many others.

This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.