Foreword / Jodie Lewis -- Dead relevant : introducing the public archaeology of death / Howard Williams -- The St Patrick's Chapel excavation project : public engagement with the rescue excavation of an early medieval cemetery in south west Wales / Marion Shiner, Katie A. Hemer and Rhiannon Comeau -- Death's diversity : the case of Llangollen Museum / Suzanne Evans and Howard Williams -- Displaying the deviant : Sutton Hoo's Sand people / Madeline Walsh and Howard Williams -- Grave expectations : burial posture in popular and museum representations / Sian Mui -- Photographing the dead : images in public mortuary archaeology / Chiara Bolchini -- Death on canvas : artistic reconstructions in Viking age mortuary archaeology / Leszek Gardeła -- Envisioning cremation : art and archaeology / Aaron Watson and Howard Williams -- Controversy surrounding human remains from the First World War / Sam Munsch -- Here lies "ZOMBIESLAYER2000", may he rest in pieces : mortuary archaeology in MMOS, MMORPGS, and MOBAS / Rachael Nicholson -- Death's drama : mortuary practice in Vikings season 1-4 / Howard Williams -- Afterword / Karina Croucher

From the tomb of Tutankhamun to the grave of Richard III, archaeologists have studied, displayed and debated rich and varied evidence of the burial and commemoration of the dead from past times to the present day. Mortuary data is not only a key window into the human past, it defines and resonates through 20th and 21st-century popular culture. Yet, in many regards, archaeologists' engagements with death and the dead are contentious and problematic, emotional and political. For instance, in what circumstances if at all is it ethical to dig up and display human remains? What do people learn from meeting ancient people in museums and heritage sites? How significant is mortuary archaeology in our own present-day imaginings of prehistoric and historical societies, as well as fantastical and fictional societies portrayed in literature and film?Tackling questions such as these, osteoarchaeologists and mortuary archaeologists have often found themselves at the forefront of the public engagements for interdisciplinary and archaeological research. This book identifies a series of lacunae in recent discussions of mortuary archaeology's interactions with contemporary society. It aims to re-evaluate the range and character of public mortuary archaeology critically through a range of case studies from the UK, Europe and farther afield. In particular, this book seeks to address a network of relationships between mortality, material culture and archaeological theory, method and practice through a series of themes that connect the digging, display and dissemination of mortuary contexts and remains with wider popular culture themes and media.

This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues), in the lab (through their analysis and interpretation), and in their written, visual and exhibitionary practice--disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organizational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues that have hitherto often remained "unspoken" among the discipline. Reframing funerary archaeologists as "death-workers" of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context that highlights the importance of cultural and historical context in which this work takes place.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.

The archaeology of death and burial is central to our attempts to understand vanished societies. Through the remains of funerary rituals we can learn not only about the attitudes of prehistoric people to death and the afterlife, but also about their way of life, their social organisation and their view of the world. This ambitious book reviews the latest research in this huge and important field, and describes the sometimes controversial interpretations that have led to rapid advances in our understanding of life and death in the distant past. A unique overview and synthesis of one of the most revealing fields of research into the past, it covers archaeology's most breathtaking discoveries, from Tutankhamen to the Ice Man, and will find a keen market among archaeologists, historians and others who have a professional interest in, or general curiosity about, death and burial.

The fiery transformation of the dead is replete in our popular culture and Western modernity's death ways, and yet it is increasingly evident how little this disposal method is understood by archaeologists and students of cognate disciplines in the humanities and social sciences. In this regard, the archaeological study of cremation has much to offer. Cremation is a fascinating and widespread theme and entry-point in the exploration of the variability of mortuary practices among past societies. Seeking to challenge simplistic narratives of cremation in the past and present, the studies in this volume seek to confront and explore the challenges of interpreting the variability of cremation by contending with complex networks of modern allusions and imaginings of cremations past and present and ongoing debates regarding how we identify and interpret cremation in the archaeological record. Using a series of original case studies, the book investigates the archaeological traces of cremation in a varied selection of prehistoric and historic contexts from the Mesolithic to the present in order to explore cremation from a practice-oriented and historically situated perspective.

This collection, stemming from the 2nd University of Chester Archaeology Student Conference 'Archaeo-Engage: Engaging Communities in Archaeology' (April 2017), provides original perspectives on public archaeology’s current practices and future potentials focusing on art/archaeological media, strategies and subjects.