Desperate Housewives meets Murder, She Wrote, in Lee Hollis’s new mystery series, where a housewife and a female private eye solve murders together in their small Maine town! Someone is trying to turn Portland High into a school for scandal with a gossipy website called Dirty Laundry. The latest target of ruinous rumors is newly elected PTA president Sandra Wallage. After a heated meeting with outraged parents, Sandra runs into fellow school mom and private investigator Maya Kendrick, who's discovered the person behind the website. But when the women storm into the venomous gossip columnist’s office they find a lifeless body—along with a confession. Although the police rule the death a suicide, Maya suspects an injured party hung the Dirty Laundry creator out to dry. Maya already has a PI partner—but she's pregnant, and sonograms and stakeouts tend to conflict. So when Sandra volunteers for a crash course in sleuthing, Maya accepts the help. But as these unlikely partners study the clues, a killer plans to teach them a lesson . . .

This book recounts the historical achievements of the National PTA and its sister organization, the National Congress of Colored Parents and Teachers. The PTA is the result of the hard work of such women as Phoebe Apperson Hearst and Alice McLellan Birney, founders of the original National Congress of Mothers, and Selma Sloan Butler, who, with the support of the National PTA, founded the National Congress of Colored Parents and Teachers. When the two organizations merged in 1970, so did their identical mission to improve children's lives. The book profiles these women's work on such issues as juvenile justice, kindergarten classes, child labor laws, hot lunch programs, car safety, the Salk polio vaccine, today's National Education Goals, and the PTA Web site. The book includes:"The Historical Setting"; "The Founding"; "The Early Years, 1900-1909: Schooling Parents"; "1910-1919: For the Health and Safety of Children"; "1920-1929: Be It Resolved"; "1930-1939: The Voice of the PTA--90 Years in Print"; "1940-1949: PTA On the Air"; "1950-1959: Monitoring the Media and the Message"; "1960-1969: Bringing Justice to Juveniles"; "1970-1979: Advocates in Action"; "1980-1989: The Reflections Program"; and "1990-1997: Celebrating a Century of Commitment to Children." (SM)

Founded in 1897 as the National Congress of Mothers, the National Parent Teacher Association (PTA) was open to African American members but excluded them in practice. In 1926, a separate black PTA was created to serve the segregated schools of the American South. After the Brown v. Board of Education decision in 1954, black and white PTA leaders faced the difficult prospect of integrating all national, state, and local units, which resulted in a protracted unification process that lasted until 1970. In The National PTA, Race, and Civic Engagement, 1897-1970, Christine Woyshner examines the PTA in relation to its racial politics and as a venue for women's civic participation in educational issues. Her argument is that the PTA allowed for discussions about race and desegregation when few other public spaces, even the schools, did so during this time. The PTA, the largest voluntary educational association in the twentieth century, has over the course of one hundred years lobbied for national legislation on behalf of children and families, played a role in shaping the school curriculum, and allowed for participation of diverse community members in dialogue about the goals of public schooling.

This timely reflection on male identity in America that explores the intersection of fatherhood, race, and hip-hop culture “is a page-turner…drenched in history and encompasses the energy, fire, and passion that is hip-hop” (D. Watkins, New York Times bestselling author). Just as his music career was taking off, Juan Vidal received life-changing news: he’d soon be a father. Throughout his life, neglectful men were the norm—his own dad struggled with drug addiction and infidelity—a cycle that, inevitably, wrought Vidal with insecurity. At age twenty-six, with barely a grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges—he turned to the counterculture. In Rap Dad, the musician-turned-journalist takes a thoughtful and inventive approach to exploring identity and examining how today’s society views fatherhood. To root out the source of his fears around parenting, Vidal revisits the flash points of his juvenescence, a feat that transports him, a first-generation American born to Colombian parents, back to the drug-fueled streets of 1980s–90s Miami. It’s during those pivotal years that he’s drawn to skateboarding, graffiti, and the music of rebellion: hip-hop. As he looks to the past for answers, he infuses his personal story with rap lyrics and interviews with some of pop culture’s most compelling voices—plenty of whom have proven to be some of society’s best, albeit nontraditional, dads. Along the way, Vidal confronts the unfair stereotypes that taint urban men—especially Black and Latino men. “A heartfelt examination of the damage that wayward fathers can leave in their wake” (The Washington Post), Rap Dad is “rich with symbolism…a poetic chronicle of beats, rhymes, and life” (NPR).

Blacklisted by the PTA is an irreverent look at motherhood and the modern family. From the high chair to a vinyl restaurant booth on date night, Lela Davidson has captured life on the cul-de-sac with a husband, two kids, and the occasional pet. Whether failing at cloth diaper origami or smug in knowledge that her children have never consumed a PopTart, Lela assures parents they are not alone, and that it's okay to laugh-at yourself, and at your kids. These are the stories of every parent--even if we don't always tell them out loud. Each of these 62 essays can be read in under five minutes for a quick laugh-either with or at the author. As a CPA on the mommy track, all Lela wanted to do was sit on the driveway and drink wine out of a box with the neighbors. Luckily, she started writing down her stories instead. Whether tackling PTA meetings, neighborhood politics, or inflation-by-Tooth Fairy, Lela exposes the humor in every awkward moment and maternal meltdown. From a trendy Seattle condo, to a tidy Arkansas subdivision, Lela shares the comic side of family life. She takes you to Mexican bars, the hockey rinks of St. Louis, ski slopes near Santa Fe, shopping in Dallas, and even introduces you to a few strippers--the novices on the playgrounds of New York City, and the pros in Vegas. Lela says what the rest of us are thinking. Her hilarious observations and subtle satire are always spot on. She's not afraid to reveal her screw-ups, along with fleeting delusional moments of wherein she honestly believes she is the best mom ever. ABOUT THE AUTHOR Lela Davidson is the Managing Editor of ParentingSquad.com and the Associate Editor of Peekaboo magazine. Her writing is featured regularly in family and parenting magazines throughout the country, and in Chicken Soup for the Soul: New Moms. Lela is also a popular teacher of online writing and promotion strategies.

A brand-new series in which murder is anything but elementary After Tarver Elementary School's unpopular principal is murdered, PTA secretary and mother of two Beth Kennedy puts aside bake sales and class trip fund-raisers to catch a killer. And when members of the PTA become suspects, she realizes solving this murder will not be as easy as ABC...

School volunteer and PTA mom Kelli Peters relates the details of a plot against her by fellow Plaza Vista Elementary School parents Jill and Ken Easter, that in the end included planted drug evidence and a $5.7 million dollar civil judgment in Kelli's favor.