MUST THE UNIVERSE DIE WITH THEM? The Starfolk, arrogant masters of vast stretches of the cosmos beyond the Earth's sphere of influence, were determined to complete the extermination of the mind-reading mutants of Regnier's planet. But to the mutants themselves, the terror of the Starfolk was nothing compared to the greater dread that gripped their spirits - the obsession that the universe itself was doomed. This obsession ripped into their minds, overwhelmed them, and plunged them into horrifying hysteria. The message of room reached the ears of the Starfolk themselves, forcing the to a fateful decision. They would allow an Earthman, archeologist Philip Gascon, to visit Regnier in an attempt to unravel its secrets. What he found would either contain the key to the ultimate destiny of the universe - or the date of the doomsday.

Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.

Essays on major science fiction writers.

GALACTIC STORM tells the tale of a young genius who uses a supercomputer to discover an alarming trend of global warming that will see half the world's ice-caps melted within fifty years. This leads to an expedition to the South Pole to investigate the problem, and from there to the discovery of a sinister plot of extraterrestrial origin...

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.

The Acre was the only part of an entire world where Earthmen were allowed to live as they pleased and as they were accustomed. For elsewhere on Quallavarra, humanity was forced into servitude by the Vorra, THE SUPER BARBARIANS, who has somehow managed to conquer space. But within the Acre, the underling Terrestrials had cooked up a neat method of keeping teir conquerors from stamping them out altogether. They had uncovered a diabolical Earth secret the Vorra couldn't abide - and yet couldn't do without.

'How short a time a century really is . . .' The speaker was Immortal Karmesin, and he had lived a thousand years. He stood, a gigantic figure against the rush of time, a permanently open channel for the infants of the galaxy to explore the deep past. He was anathema to the Phoenixes, for their creed was that of birth in death, of regeneration in destruction. And he knew that he - one man - had to unravel the Phoenix mystery, or live to watch it bring fiery death to all the planets of man . . . (First published 1963)