Movie "Colette" coming in September starring Keira Knightley! From her marriage at the age of 20, until her divorce, this snapshot of Colette's life focuses on her formative years. Incredibly complex, powerfully determined, truly gifted, Colette challenged herself to reinvent her life and assert herself as a free woman. In her day, her behavior scandalized and vexed the establishment. But in the end, she helped to free women in their thinking and became member and then president of France's prestigious Académie Goncourt, among many other honors as one of France's preeminent authors. For mature readers.

A scandalously talented stage performer, a practiced seductress of both men and women, and the flamboyant author of some of the greatest works of twentieth-century literature, Colette was our first true superstar. Now, in Judith Thurman's Secrets of the Flesh, Colette at last has a biography worthy of her dazzling reputation. Having spent her childhood in the shadow of an overpowering mother, Colette escaped at age twenty into a turbulent marriage with the sexy, unscrupulous Willy--a literary charlatan who took credit for her bestselling Claudine novels. Weary of Willy's sexual domination, Colette pursued an extremely public lesbian love affair with a niece of Napoleon's. At forty, she gave birth to a daughter who bored her, at forty-seven she seduced her teenage stepson, and in her seventies she flirted with the Nazi occupiers of Paris, even though her beloved third husband, a Jew, had been arrested by the Gestapo. And all the while, this incomparable woman poured forth a torrent of masterpieces, including Gigi, Sido, Cheri, and Break of Day. Judith Thurman, author of the National Book Award-winning biography of Isak Dinesen, portrays Colette as a thoroughly modern woman: frank in her desires, fierce in her passions, forever reinventing herself. Rich with delicious gossip and intimate revelations, shimmering with grace and intelligence, Secrets of the Flesh is one of the great biographies of our time. NOTE: This edition does not include a photo insert.

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First published in 1799, George Walker's The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the "British Revolution" are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.

Fiction. "A toxic-shock torrent of bad energy and beautiful language, Colette Phair's 'Nightmare in Silicon' is recklessly brave and driven writing, brimming with fluorescent style and startling ideas. Here is a strong new voice that demands and deserves to be listened to" - Alan Moore. Getting medical tests performed on her to pay the rent, staying up all night with her scarred and strange friends, sharing beds with her boyfriend and whoever else comes along, Ymo's is a world so infused with sex that it's become an identity. Ymo is a woman. That is, until diagnosis with a life-threatening illness leaves her no chance of survival, except in the gender-neutral body of a robot. What follows is her struggle to stay human while existing as a sexless object. Ymo's final role as guinea pig will be to answer the question, "What if people didn't dream?"

Affect is a high-stakes topic in psychoanalysis, but there has long been a misperception that Lacan neglected affect in his writings. We encounter affect at the beginning of any analysis in the form of subjective suffering that the patient hopes to alleviate. How can psychoanalysis alleviate such suffering when analytic practice itself gives rise to a wide range of affects in the patient’s relationship to the analyst? Lacanian Affects: The Function of Affect in Lacan’s Work, is the first book to explore Lacan’s theory of affect and its implications for contemporary psychoanalytic practice. In it, Colette Soler discusses affects as diverse as the pain of existence, hatred, ignorance, mourning, sadness, "joyful knowledge," boredom, moroseness, anger, shame, and enthusiasm. Soler’s discussion culminates in a highlighting of so-called enigmatic affects: anguish, love, and the satisfaction related to the end of an analysis. Lacanian Affects provides a unique and compelling account of affect that will prove to be an essential text for psychoanalysts, psychiatrists, psychotherapists, psychologists, and social workers.

Though Colette's novels have been thought sentimental and she herself has earned a certain notoriety as a decadent sensualist, Nicole Ward Jouve argues that we need to look closely at Colette's work again, and with the hindsight of feminist theory, to rediscover that inimitable talent for the inscription of sensual and familial pleasure.