The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.

Presenting a new and revealing overview of the ruling classes of the Roman Empire, this volume explores aspects of the relations between the official state structures of Rome and local provincial elites. The central objective of the volume is to present as complex a picture as possible of the provincial leaderships and their many and varied responses to the official state structures. The perspectives from which issues are approached by the contributors are as multiple as the realities of the Roman world: from historical and epigraphic studies to research of philological and linguistic interpretations, and from architectural analyses to direct interpretations of the material culture. While some local potentates took pride in their relationship with Rome and their use of Latin, exhibiting their allegiances publicly as well as privately, others preferred to keep this display solely for public manifestation. These complex and complementary pieces of research provide an in-depth image of the power mechanisms within the Roman state. The chronological span of the volume is from Rome’s Republican conquest of Greece to the changing world of the fourth and fifth centuries AD, when a new ecclesiastical elite began to emerge.

This is a comprehensive study of the interrelationships between the Romans, Celts and Germans who lived in the German provinces of Imperial Rome.

In Pannonia and Upper Moesia, first published 1974, András Mócsy surveys the Middle Danube Provinces from the latest pre-Roman Iron Age up to the beginning of the Great Migrations. His primary concern is to develop a general synthesis of the archaeological and historical researches in the Danube Basin, which lead to a more detailed knowledge of the Roman culture of the area. The economic and social development, town and country life, culture and religion in the Provinces are all investigated, and the local background of the so-called Illyrian Predominance during the third century crisis of the Roman Empire is explained, as is the eventual breakdown of Danubian Romanisation. This volume will appeal to students and teachers of archaeology alike, as well as to those interested in the Roman Empire – not only the history of Rome itself, but also of the far-flung areas which together comprised the Empire’s frontier for centuries.

This volume springs from the symposium Africa and the Danubian Provinces of the Roman Empire which was held in Timișoara on July 29-30, 2018.

"Roman in the Provinces: Art on the Periphery of Empire" accompanies an exhibition of the same name that will open at Yale University Art Gallery in August 2014 and will travel to the McMullen Museum of Art at Boston College in February 2015. With objects assembled primarily from Yale University Art Gallery s world-class Roman and Byzantine collection and including a few significant loans from other institutions, "Roman in the Provinces" explores the varied ways in which different individuals, groups, and regions across the empire reacted to being Roman. Drawing especially on materials from Yale University s excavations at Gerasa and Dura-Europos, the exhibit presents material chronologically and geographically distant from imperial Rome. This focus encourages better characterization and understanding of the local responses and multiple identities in the provinces as they were expressed through material culture. Contributors to this publication offer new scholarship on a wide range of subjects, including religious practices, military customs, and epigraphy, with the common aim of ascertaining what the Roman Empire was actually like and how scholars should approach its study today. "

The study of the Roman Empire has changed dramatically in the last century, with significant emphasis now placed on understanding the experiences of subject populations, rather than a sole focus on the Roman imperial elites. Local experiences, and interactions between periphery and centre, are an intrinsic component in our understanding of the empire's function over and against the earlier, top-down model. But where does law fit into this new, decentralized picture of empire? This volume brings together internationally renowned scholars from both legal and historical backgrounds to study the operation of law in each region of the Roman Empire, from Britain to Egypt, from the first century BCE to the end of the third century CE. Regional specificities are explored in detail alongside the emergence of common themes and activities in a series of case studies that together reveal a new and wide-ranging picture of law in the Roman Empire, balancing the practicalities of regional variation with the ideological constructs of law and empire.