During a time of confusion, disaster, and political upheaval around her, Juliet, a new and highly-acclaimed author, meets each day with renewed fervor. Even still she feels like she's drowning in the everyday struggles she faces. But what can be done? She doesn't know what will make things easier. Then, in the midst of her very own chaos and personal dilemma, she falls head over heels in love with The Prophet's Son. Will their romance be the beacon of light she needs to help lead her out of despair?

Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

Although Muḥammad had no natural sons who reached the age of maturity, Islamic sources report that he adopted a man named Zayd shortly before receiving his first revelation. This "son of Muḥammad" was the Prophet's heir for the next fifteen or twenty years. He was the first adult male to become a Muslim and the only Muslim apart from Muḥammad whose name is mentioned in the Qur'an. Eventually, Muḥammad would repudiate Zayd as his son, abolish the institution of adoption, and send Zayd to certain death on a battlefield in southern Jordan. Curiously, Zayd has remained a marginal figure in both Islamic and Western scholarship. David S. Powers now attempts to restore Zayd to his rightful position at the center of the narrative of the Prophet Muḥammad and the beginnings of Islam. To do so, he mines traces left behind in commentaries on the Qur'an, in biographical dictionaries, and in historical chronicles, reading these sources against analogues in the Hebrew Bible. Powers demonstrates that in the accounts preserved in these sources, Zayd's character is modeled on those of biblical figures such as Isaac, Ishmael, Joseph, and Uriah the Hittite. This modeling process was deployed by early Muslim storytellers to address two key issues, Powers contends: the bitter conflict over succession to Muḥammad and the key theological doctrine of the finality of prophecy. Both Zayd's death on a battlefield and Muḥammad's repudiation of his adopted son and heir were after-the-fact constructions driven by political and theological imperatives.