"'Would you like to be a Hero?' It's what many dream of, and what one young girl is offered when she is woken by a mysterious stranger with a television for a head. In the middle of the night, she is whisked away into a world of fantastical metaphor, where emotions take physical form and the inanimate comes alive. Surrounded by a cast of whimsical characters and unnamed dangers, and guided by the stranger RGB, who has terrifying secrets of his own, she must find it within herself to choose her own path amid the destiny that has been chosen for her." --

WINNER OF THE ORANGE PRIZE • Set in 1828 on a Louisiana sugar plantation, this novel from the bestselling author of Mary Reilly presents a “fresh, unsentimental look at what slave-owning does to (and for) one's interior life.... The writing—so prised and clean limbed—is a marvel" (Toni Morrison, Nobel Prize-winning author of Beloved). Manon Gaudet, pretty, bitterly intelligent, and monstrously self-absorbed, seethes under the dominion of her boorish husband. In particular his relationship with her slave Sarah, who is both his victim and his mistress. Exploring the permutations of Manon’s own obsession with Sarah against the backdrop of an impending slave rebellion, Property unfolds with the speed and menace of heat lightning, casting a startling light from the past upon the assumptions we still make about the powerful and powerful.

Rice Boy is a surreal fantasy graphic novel set in a world called Overside. A lonely creature called Rice Boy and an ageless machine called The One Electronic venture through a strange world to fulfill a prophecy with implications few understand.

More than any other people on earth, we Americans are free to say and write what we think. The press can air the secrets of government, the corporate boardroom, or the bedroom with little fear of punishment or penalty. This extraordinary freedom results not from America’s culture of tolerance, but from fourteen words in the constitution: the free expression clauses of the First Amendment.InFreedom for the Thought That We Hate, two-time Pulitzer Prize-winner Anthony Lewis describes how our free-speech rights were created in five distinct areas—political speech, artistic expression, libel, commercial speech, and unusual forms of expression such as T-shirts and campaign spending. It is a story of hard choices, heroic judges, and the fascinating and eccentric defendants who forced the legal system to come face to face with one of America’s great founding ideas.

United in Hate analyzes the Left's contemporary romance with militant Islam as a continuation of the Left's love affair with communist totalitarianism in the twentieth century. Just as the Left was drawn to the communist killing machines of Lenin, Stalin, Mao, Pol Pot and Castro, so too it is now attracted to radical Islam. Both the radical Left and radical Islam possess a profound hatred for Western culture, for a capitalist economic structure that recognizes individual achievement and for the Judeo-Christian heritage of the United States. Both seek to establish a new world order: leftists in the form of a classless communist society and Islamists in the form of a caliphate ruled by Sharia law. To achieve these goals, both are willing to wipe the slate clean by means of limitless carnage, with the ultimate goal of erecting their utopia upon the ruins of the system they have destroyed.

In New York in the middle of the twentieth century, comic book companies figured out how to make millions from comics without paying their creators anything. In San Francisco at the start of the twenty-first century, tech companies figured out how to make millions from online abuse without paying its creators anything. In the 1990s, Adeline drew a successful comic book series that ended up making her kind-of famous. In 2013, Adeline aired some unfashionable opinions that made their way onto the Internet. The reaction of the Internet, being a tool for making millions in advertising revenue from online abuse, was predictable. The reaction of the Internet, being part of a culture that hates women, was to send Adeline messages like 'Drp slut ... hope u get gang rape.' Set in a San Francisco hollowed out by tech money, greed and rampant gentrification, I Hate the Internet is a savage indictment of the intolerable bullshit of unregulated capitalism and an uproarious, hilarious but above all furious satire of our Internet Age.

“Hate They Neighbor shows in devastating detail the rise and persistence of tactics for preventing residential racial integration, starting in the 20th century and continuing into the present. Although many minorities can find good housing in areas they can afford, just enough of their neighbors still greet them with cross-burnings, firebombs, and violence to send an ongoing warning: integrate at your own risk." —Amanda I. Seligman, University of Wisconsin-Milwaukee Despite increasing racial tolerance and national diversity, neighborhood segregation remains a very real problem in cities across America. Scholars, government officials, and the general public have long attempted to understand why segregation persists despite efforts to combat it, traditionally focusing on the issue of “white flight,” or the idea that white residents will move to other areas if their neighborhood becomes integrated. In Hate Thy Neighbor, Jeannine Bell expands upon these understandings by investigating a little-examined but surprisingly prevalent problem of “move-in violence:” the anti-integration violence directed by white residents at minorities who move into their neighborhoods. Apprehensive about their new neighbors and worried about declining property values, these residents resort to extra-legal violence and intimidation tactics, often using vandalism and verbal harassment to combat what they view as a violation of their territory. Hate Thy Neighbor is the first work to seriously examine the role violence plays in maintaining housing segregation, illustrating how intimidation and fear are employed to force minorities back into separate neighborhoods and prevent meaningful integration. Drawing on evidence that includes in-depth interviews with ordinary citizens and analysis of Fair Housing Act cases, Bell provides a moving examination of how neighborhood racial violence is enabled today and how it harms not only the victims, but entire communities. By finally shedding light on this disturbing phenomenon, Hate Thy Neighbor not only enhances our understanding of how prevalent segregation and this type of hate-crime remain, but also offers insightful analysis of a complex mix of remedies that can work to address this difficult problem. Jeannine Bell is Professor of Law at IU Maurer School of Law-Bloomington. She is the author of Policing Hatred: Law Enforcement, Civil Rights, and Hate Crime; Police and Policing Law; and Gaining Access to Research Sites: A Practical and Theoretical Guide for Qualitative Researchers (with Martha Feldman and Michele Berger).