This volume proposes a theoretical grounding for the study of cities and the people who live and work in them. Using a threefold, interdisciplinary approach to urban identities which links agency, space, and structure, the book examines the work of three major urban theorists.

“This tale is a sturdy one that is made even more emphatic by Davies’s terse writing style. The text is heightened in every way by Carlin’s outstanding mixed-media artwork.” — Booklist (starred review) On a mean street in a mean, broken city, a young girl tries to snatch an old woman’s bag. But the frail old woman says the thief can’t have it without giving something in return: the promise. It is the beginning of a journey that will change the girl’s life — and a chance to change the world, for good.

... We had become radicalised during the rise of urban policy in Labor's opposition program, and now we were working for them in government ... As a technocrat in the Whitlam government, David Wilmoth was never an average urban planner. Australia was in desperate need of structural reform to lift opportunities for the disadvantaged. In David's view, urban strategy had to encompass infrastructure and economic development in a way that reflected the aspirations of the Australian people, not just lay out land uses. This was the only way to create basic change and reduce inequality. An 'anti-planner' of the planning profession, David agitated for change. Propelled by his reserved radicalism and an innate streak of defiance, he joined the social protests of the day: anti-war marches, fighting racism in Redfern's housing projects and stirring up professional practice. But then came burnout, the fall of government and the breakdown of relationships. Searching for answers, David crossed the globe to explore his spirituality in Asia, join a New Left group in San Francisco, and complete a PhD at Berkeley, before coming back to metropolitan planning in Sydney. A foray into higher education led to senior leadership roles at RMIT overseeing massive mergers and a financial crisis. But it was in spearheading educational ventures the world over he found the work he most enjoyed: combining education with urban strategy to form powerful learning cities. It wasn't an easy journey, but David always had a plan.

Walt Disney's vision for a city of tomorrow, EPCOT, would be a way for American corporations to show how technology, creative thinking, and hard work could change the world. He saw this project as a way to influence the public's expectations about city life, in the same way his earlier work had redefined what it meant to watch an animated film or visit an amusement park. Walt and the Promise of Progress City is a personal journey that explores the process through which meaningful and functional spaces have been created by Walt Disney and his artists as well as how guests understand and experience those spaces.

Kirkus Reviews calls The Promise one of the Best Books of Fiction, and of Literature in Translation, of the year! * Voted one of the Big Fall Books from Indies by Publishers Weekly & LitHub's Most Anticipated Books of 2019 "The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector."—Mariana Enriquez, LitHub "Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction."—Lily Meyer, NPR A dying woman's attempt to recount the story of her life reveals the fragility of memory and the illusion of identity. "Of all the words that could define her, the most accurate is, I think, ingenious."—Jorge Luis Borges "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "Few writers have an eye for the small horrors of everyday life; fewer still see the everyday marvelous. Other than Silvina Ocampo, I cannot think of a single writer who, at any time in any language, has chronicled both with such wise and elegant humor."—Alberto Manguel "Art is the cure for death. A seminal work by an underread master. Required for all students of the human condition."—Starred Review, Kirkus Reviews "This haunting and vital final work from Ocampo, her only novel, is about a woman's life flashing before her eyes when she's stranded in the ocean. . . . the book’s true power is its depiction of the strength of the mind and the necessity of storytelling, which for the narrator is literally staving off death. Ocampo’s portrait of one woman’s interior life is forceful and full of hope."—Gabe Habash, Starred Review, Publishers Weekly "Ocampo is beyond great—she is necessary."—Hernan Diaz, author of In the Distance "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers."—John Freeman, Executive Editor, LitHub "Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it."—Helen Oyeyemi, author of Gingerbread A woman traveling on a transatlantic ship has fallen overboard. Adrift at sea, she makes a promise to Saint Rita, "arbiter of the impossible," that if she survives, she will write her life story. As she drifts, she wonders what she might include in the story of her life—a repertoire of miracles, threats, and people parade tumultuously through her mind. Little by little, her imagination begins to commandeer her memories, escaping the strictures of realism. Translated into English for the very first time, The Promise showcases Silvina Ocampo at her most feminist, idiosyncratic and subversive. Ocampo worked quietly to perfect this novella over the course of twenty-five years, nearly up until the time of her death in 1993.

A cutting exploration of how cities drive climate change while being on the frontlines of the coming climate crisis How will climate change affect our lives? Where will its impacts be most deeply felt? Are we doing enough to protect ourselves from the coming chaos? In Extreme Cities, Ashley Dawson argues that cities are ground zero for climate change, contributing the lion’s share of carbon to the atmosphere, while also lying on the frontlines of rising sea levels. Today, the majority of the world’s megacities are located in coastal zones, yet few of them are adequately prepared for the floods that will increasingly menace their shores. Instead, most continue to develop luxury waterfront condos for the elite and industrial facilities for corporations. These not only intensify carbon emissions, but also place coastal residents at greater risk when water levels rise. In Extreme Cities, Dawson offers an alarming portrait of the future of our cities, describing the efforts of Staten Island, New York, and Shishmareff, Alaska residents to relocate; Holland’s models for defending against the seas; and the development of New York City before and after Hurricane Sandy. Our best hope lies not with fortified sea walls, he argues. Rather, it lies with urban movements already fighting to remake our cities in a more just and equitable way. As much a harrowing study as a call to arms Extreme Cities is a necessary read for anyone concerned with the threat of global warming, and of the cities of the world.

Based on the hit USA Network series The 4400, an original novel about a group of 4400 people taken out of their time and returned to the present day with special powers, only no one, including them, is sure if they are a force for good...or for evil. Over nine thousand people were killed in Seattle, when promicin was unleashed within the city limits. Now the Federal government has to decide how to deal with citizens who have powers and abilities that cannot be legislated. An uneasy truce has arisen between Jordan Collier, the self-styled leader of The 4400, and the Federal government. While he stopped more people from being killed, Collier was the one responsible for unleashing promicin on the world. Now governments around the world have to wonder just who controls these powerful people and just what are Collier and The 4400 going to do next?