This book is an experiment in systematic theology. It is an attempt to see if a particular interpretation of Christian narrative speaks to the situation of Christians in affluent western cultures, a context in which Christian identity is increasingly problematic. Stroup's work purposes to determine if the use of narrative in theology casts any new light on what Christians mean by Òrevelation,Ó the doctrine some Christian theologians have appealed to as the basis for what Christians know and confess about God.

This book presents narrative theology as radically orthodox. It is orthodox because in the tradition of all those who maintain the priority of the story of Jesus, as it is sacramentally performed in the Church, and radical because it eschews all modern attempts to found Christian faith on some other story, such as that of reason, critical history or human consciousness. Acknowledging the indeterminacy of and textuality of human existance, Telling God's Story presents the Christian life as as a truly postmodern venture: the groundless enactment of God's future now.

This title was first published in 2000. From the work of Hegel and Schelling to the dialectical theology of Barth, Bultmann and Gogarten, "Revelation" has developed a long, rich tradition of diverse thought, as well as many misunderstandings. Meaning, first and foremost, "God's encounter with those to whom God wishes to communicate God's own self", Revelation seeks to be recounted and communicated to others. As a theological expression, Revelation aims to direct our attention to the modes and areas in which we have a basis for expecting encounter with God - through stories, nature, the world as creation. From a rediscovered emphasis on "story", narrative theology has emerged - a concept the English-speaking world has welcomed for its neutrality between history and imaginative fiction and stress on narrative rather than doctrinal dimension of biblical text. This volume brings into relationship a concern with theology of revelation and an interest in the theology of story or narrative theology.

The respected American theologian Robert Jenson here, in brief compass, presents his uncluttered understanding of the Christian message in a form ideal for beginning students, laypeople, and clergy. Professor Jenson sees the heart of the gospel as "the unconditional promise of the ultimate triumph of the love of Jesus of Nazareth." This gospel is based on the story of Jesus and is worked out in the lives of men and of nations as the promise it brings moves towards fulfillment. Story and Promise--we dare to call it a "one-volume dogmatics"--leaves no element of the Christian faith untouched: the classical doctrines concerning God, Christ, the Holy Spirit, man, the church; the clearly radical implications of these doctrines for personal and social transformation; the focus of Christian vision on the future as the time when God comes and man becomes what God intends. This book clarifies the traditional problems of faith, and also raises the revolutionary issues marking the end of this century. It is a thoughtful and satisfying piece of systematic theology in a time of shattered understandings of the faith.

Focusing on the metanarrative of exile and restoration Timo Eskola claims that a post-liberal, narrative New Testament theology is both consistent and explanative. Combining a post-New Quest perspective on Jesus with an eschatological reading of Paul, the author states that Jesus' temple criticism aims at restoration eschatology. Jesus starts a priestly community that expects God's jubilee to begin with Jesus' work, and proceed with the preaching of the new gospel. The reception of this message in the post-Easter church results in resurrection Christology that proclaims Jesus' Davidic kingship on God's throne of glory. Both Paul and Jewish Christian teachers later present Christ's community as a new temple where believers serve the Lord as priests of the new covenant. Furthermore, restoration eschatology provides a new basis for understanding Paul's contrast with the words of the law, and his teaching of justification.

We are in a real sense, our stories. Who we are, what we think, and how we act are all shaped by the many large and small stories that make up the discourse embedded in our multi-sensory social experience. It is this postmodern understanding of identity and reality that has prompted the authors to fashion a new way of thinking about doing research in faith communities today, particularly through a Doctor of Ministry program. It is our belief that, in order for faith communities to define themselves and to know what to do in ministry, they must first understand the multiple stories which intersect with a given ministry situation in their specific context.