Eleven stunning stories that explore the most intimate and transforming moments of existence, from Nobel Prize–winning author Alice Munro, “one of the foremost practitioners of the short story” (Michiko Kakutani, The New York Times). “Throughout this remarkable collection moments of insight flash from the pages like lightning, not necessarily providing answers—more like showing the way to new questions.”—The Philadelphia Inquirer A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes to the shaken mother the fragility between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his hapless younger brother. A man brings his lover on a visit to his ex-wife, only to feel unexpectedly closer to his estranged partner. In these and other stories, Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.

Published in conjunction with the exhibitions held at the Menil Collection, Houston, Dec. 2, 2012-March 17, 2013, the Centre for Contemporary Art, Lagos, Oct. 13, 2012-Jan. 27, 2013, and the Pulitzer Foundation for the Arts, St. Louis, Nov. 16, 2012-April 20, 2013.

Reveals the intriguing story behind the commission, rejection, and rehousing of masterpiece The Progress of Love.

“The more I make love, the more I want revolution; the more I make revolution, the more I want to make love.†? In Paris, in May of 1968, revolution, and love are very much in the air. The barricades are going up, the students of the Sorbonne are taking to streets alive with the graffiti of revolt, and the Odeon is ablaze with speechmaking. For Annie, a young American painter, and Julian, her Portuguese lover, a banker and anarchist, the events of that Paris spring form the backdrop against which their love affair is played. Annie sees the world through an artist's eyes; she is reckless in her passions, wanting and needing love with other people. There is none of this fanciful nonsense for Julian, an anarchist disdainful of the entire human race, who thinks even the enraged students storming the streets of Paris with their posters proclaiming “open the windows of your heart†? and “revolution is the ecstasy of history†? to be hopelessly naïve and sheeplike. Ferlinghetti charts the progress of love unfolding against those heady and momentous days when the pampered children of the bourgeoisie tried to find common cause with workers who despised them, “when Julian and Annie were in the heat of their love and reason.†?

What really sets the best managers above the rest? It’s their power to build a cadre of employees who have great inner work lives—consistently positive emotions; strong motivation; and favorable perceptions of the organization, their work, and their colleagues. The worst managers undermine inner work life, often unwittingly. As Teresa Amabile and Steven Kramer explain in The Progress Principle, seemingly mundane workday events can make or break employees’ inner work lives. But it’s forward momentum in meaningful work—progress—that creates the best inner work lives. Through rigorous analysis of nearly 12,000 diary entries provided by 238 employees in 7 companies, the authors explain how managers can foster progress and enhance inner work life every day. The book shows how to remove obstacles to progress, including meaningless tasks and toxic relationships. It also explains how to activate two forces that enable progress: (1) catalysts—events that directly facilitate project work, such as clear goals and autonomy—and (2) nourishers—interpersonal events that uplift workers, including encouragement and demonstrations of respect and collegiality. Brimming with honest examples from the companies studied, The Progress Principle equips aspiring and seasoned leaders alike with the insights they need to maximize their people’s performance.

At the time of his death in 1806, the Rococo artist Jean-Honore Fragonard had not painted for two decades. Following a period of huge public success, the painter's reputation fell. Personally secretive, Fragonard created revealing images that undermined a normal sense of space and time. Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien regime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt and the ever-popular The Swing.