This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

An event of international significance, the California gold rush created a more diverse, metropolitan society than the world had ever known. In Riches for All, leading scholars reexamine the gold rush, evaluating its trajectory and legacy within a global context of religion and race, economics, technology, law, and culture. The opportunity for instant wealth directly influenced a dynamic range of peoples, including Mormon military veterans, California Indian workers, both slave and free African Americans, Chinese village farmers, skilled Mexican miners, and Chilean merchants. Riches for All gives attention to the varying motivations and experiences of these groups and to their struggles with both racial and religious bigotry. Emphasizing gold rush social history, some contributors examine the roles and influence of women, workers, law-breakers, and law-enforcers. Others consider the long-term impact of this episode on California and the American West and on subsequent gold rushes in Pacific Rim countries and the Klondike. With lively and incisive strokes, these historians sketch the most broadly contextualized and nuanced portrait of the California gold rush to date.

Consuming Identities restores the California gold rush to its rightful place as the first pivotal chapter in the American history of photography, and uncovers nineteenth-century San Francisco's position in the vanguard of modern visual culture.

What is unique about this volume is that is explores the history of historical studies through the prism of ‘scholarly personae’ (models of virtue, embodying how to be a historian). It offers a stimulating new perspective on the unity, or disunity, of historical scholarship as it existed in nineteenth- and twentieth-century.

Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

The California gold rush of 1849 created fortunes for San Francisco merchants, whose wealth depended on control of the city’s docks. But ownership of waterfront property was hotly contested. In an 1856 dispute over land titles, a county official shot an outspoken newspaperman, prompting a group of merchants to organize the San Francisco Committee of Vigilance. The committee, which met in secret, fed biased stories to the newspapers, depicting itself as a necessary substitute for incompetent law enforcement. But its actual purpose was quite different. In Dirty Deeds, historian Nancy J. Taniguchi draws on the 1856 Committee’s minutes—long lost until she unearthed them—to present the first clear picture of its actions and motivations. San Francisco’s real estate comprised a patchwork of land grants left from the Spanish and Mexican governments—grants that had been appropriated and sold over and over. Even after the establishment of a federal board in 1851 to settle the complicated California claims, land titles remained confused, and most of the land in the city belonged to no one. The acquisition of key waterfront properties in San Francisco by an ambitious politician motivated the thirty-odd merchants who called themselves “the Executives” of the Vigilance Committee to go directly after these parcels. Despite the organization’s assertion of working on behalf of law and order, its tactics—kidnapping, forced deportations, and even murder—went far beyond the bounds of law. For more than a century, scholars have accepted the vigilantes’ self-serving claims to honorable motives. Dirty Deeds tells the real story, in which a band of men took over a city in an attempt to control the most valuable land on the West Coast. Ranging far beyond San Francisco, the 1856 Vigilance Committee’s activities affected events on the East Coast, in Central America, and in courts throughout the United States even after the Civil War.