In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as "black music." Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation's preconceived ideas about race, culture, and modernity and setting off a musical craze in the process. Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.

“A gloriously over-the-top scare fest that has hidden depths. Readers will root for Kris all the way to the explosive, poignant finale.”—Publishers Weekly From the New York Times best-selling author of The Southern Book Club’s Guide to Slaying Vampires. Only a girl with a guitar can save us all. Every morning, Kris Pulaski wakes up in hell. In the 1990s she was lead guitarist of Dürt Würk, a heavy-metal band on the brink of breakout success until lead singer Terry Hunt embarked on a solo career and rocketed to stardom, leaving his bandmates to rot in obscurity. Now Kris works as night manager of a Best Western; she’s tired, broke, and unhappy. Then one day everything changes—a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band. Kris hits the road, hoping to reunite Dürt Würk and confront the man who ruined her life. Her journey will take her from the Pennsylvania rust belt to a celebrity rehab center to a satanic music festival. A spine-tingling horror novel, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, pill-popping, paranoid country that seems to have lost its very soul.

This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.

If you could trade your biggest burden for someone else’s, would you do it? Five teenagers sit around a bonfire in the middle of the New Mexico desert. They don’t know it yet, but they are about to make the biggest sacrifice of their lives. Lo has a family history of MS, and is starting to come down with all the symptoms. Thomas, a former child soldier from Liberia, is plagued by traumatic memories of his war-torn past. Kaya would do anything to feel physical pain, but a rare condition called CIP keeps her numb. Ellen can’t remember who she was before she started doing drugs. Kit lost his girlfriend in a car accident and now he just can’t shake his newfound fear of death. When they trade totems as a symbol of shedding and adopting one another’s sorrows, they think it’s only an exercise. But in the morning, they wake to find their burdens gone…and replaced with someone else’s. As the reality of the ritual unfolds, this unlikely group of five embarks on a week of beautiful, terrifying experiences that all culminate in one perfect truth: In the end, your soul is stronger than your burdens. "Utterly original, haunting, and honest, Strayhorn's literally infectious story of fear and hope will change the way you view your flaws forever." --Una LaMarche, critically acclaimed author of Like No Other and Five Summers

Since the Garden of Eden, God has desired a people with whom He can have complete fellowship. Now, seeds of spiritual destiny are germinating in the hearts of believers throughout the earth, to know Him and to do exploits for His glory. Book jacket.

Health care costs make up nearly a fifth of U.S. gross domestic product, but health care is a peculiar thing to buy and sell. Both a scarce resource and a basic need, it involves physical and emotional vulnerability and at the same time it operates as big business. Patients have little choice but to trust those who provide them care, but even those providers confront a great deal of medical uncertainty about the services they offer. Selling Our Souls looks at the contradictions inherent in one particular health care market—hospital care. Based on extensive interviews and observations across the three hospitals of one California city, the book explores the tensions embedded in the market for hospital care, how different hospitals manage these tensions, the historical trajectories driving disparities in contemporary hospital practice, and the perils and possibilities of various models of care. As Adam Reich shows, the book's three featured hospitals could not be more different in background or contemporary practice. PubliCare was founded in the late nineteenth century as an almshouse in order to address the needs of the destitute. HolyCare was founded by an order of nuns in the mid-twentieth century, offering spiritual comfort to the paying patient. And GroupCare was founded in the late twentieth century to rationalize and economize care for middle-class patients and their employers. Reich explains how these legacies play out today in terms of the hospitals' different responses to similar market pressures, and the varieties of care that result. Selling Our Souls is an in-depth investigation into how hospital organizations and the people who work in them make sense of and respond to the modern health care market.

This collection of essays, written primarily by Episcopalian scholars, address the broad topic of human sexuality in the context of today's issues. The essays take the forms of narrative, argument, first-person accounts, and theological reasoning.