From award-winning and national bestselling author, Robin McKinley, comes this dark, sensual vampire fairy tale. "A gripping, funny, page-turning, pretty much perfect work of magical literature."--Neil Gaiman There hadn't been any trouble out at the lake in years. Sunshine just needed a spot where she could be alone with her thoughts for a minute. But then the vampires found her . . . Now, chained and imprisoned in a once-beautiful decaying mansion, alone but for the vampire, Constantine, shackled next to her, Sunshine realizes that she must call on her own hidden strength if she is to survive. But Constantine is not what she expected of a vampire, and soon Sunshine discovers that it is he who needs her, more than either of them know. Originally published as an adult novel, but now in YA for the first time, Sunshine is an alluring and captivating vampire story that will ensnare fans of paranormals everywhere.

Discusses the obstacles women have had to overcome in order to become writers, and identifies the sexist rationalizations used to trivialize their contributions

Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream. The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary. The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future. The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.

She had everything she ever wanted – apart from love. As the wife of a wealthy but cruel businessman, Mona has all her heart desires: money, friends, social status... everything aside from freedom. Reconnecting with old friend, Meera, introduces her to a world of glamour, parties and covert affairs. And when she meets Ali, a young man whose beautiful exterior hides the pain of his humble roots and family tragedy, Mona feels alive for the very first time. Heady with love, Mona and Ali begin a delicate game of deceit that spirals out of control. But in a world where danger lurks on every corner, their forbidden love may not only destroy Mona’s marriage, but have tragic and long-lasting consequences. A captivating tale of love and loss, set against a backdrop of contemporary Pakistan that fans of Christy Lefteri and Lucinda Riley will love.

In this accessible combination of post-colonial theory, feminism and pedagogy, the author advocates using subversive and contemporary artistic representations of women to remodel traditional stereotypes in education. It is in this key sector that values and norms are molded and prejudice kept at bay, yet the legacy of colonialism continues to pervade official education received in classrooms as well as ‘unofficial’ education ingested via popular culture and the media. The result is a variety of distorted images of women and gender in which women appear as two-dimensional stereotypes. The text analyzes both current and historical colonial representations of women in a pedagogical context. In doing so, it seeks to recast our conception of what ‘difference’ is, challenging historical, patriarchal gender relations with their stereotypical representations that continue to marginalize minority populations in the first world and billions of women elsewhere. These distorted images, the book argues, can be subverted using the semiology provided by postcolonialism and transnational feminism and the work of contemporary artists who rethink and recontextualize the visual codes of colonialism. These resistive images, created by women who challenge and subvert patriarchal modes of representation, can be used to create educational environments that provide an alternative view of women of non-western origin.

Yron the moon god died, but now he's reborn in the false king's son. His human father wanted to kill him, but his mother sacrificed her life to save him. He'll return one day to claim his birthright. He'll change your life. He'll change everything. Smiler's Fair: the great moving carnival where any pleasure can be had, if you're willing to pay the price. They say all paths cross at Smiler's Fair. They say it'll change your life. For five people, Smiler's Fair will change everything. In a land where unimaginable horror lurks in the shadows, where the very sun and moon are at war, five people - Nethmi, the orphaned daughter of a murdered nobleman, who in desperation commits an act that will haunt her forever. Dae Hyo, the skilled warrior, who discovers that a lifetime of bravery cannot make up for a single mistake. Eric, who follows his heart only to find that love exacts a terrible price. Marvan, the master swordsman, who takes more pleasure from killing than he should. And Krish, the humble goatherd, with a destiny he hardly understands and can never accept - will discover just how much Smiler's Fair changes everything.