Besides documenting the predominant presence of privileged patrons in the audience, the author discusses the shape of the privileged life, the place of the privileged in the social structure, the forces that drew so many of them to London, and the factors that made them such avid theatergoers. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.

A debate about the relationship between playgoing and the cultural life of Shakespeare's England.

This title presents new evidence about the ways in which English Renaissance dramatists composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences.

What is it about Hamlet that has made it such a compelling and vital work? Murder Most Foul: Hamlet Through the Ages is an account of Shakespeare's great play from its sources in Scandinavian epic lore to the way it was performed and understood in his own day, and then how the play has fared down to the present: performances on stage, television, and in film, critical evaluations, publishing history, spinoffs, spoofs, musical adaptations, the play's growing reputation, its influence on writers and thinkers, and the ways in which it has shaped the very language we speak. The staging, criticism, and editing of Hamlet , David Bevington argues, go hand in hand over the centuries, to such a remarkable extent that the history of Hamlet can be seen as a kind of paradigm for the cultural history of the English-speaking world.

The Later Tudors, the second volume to be published in Oxford's authoritative series The New Oxford History of England, tells the story of England between the accession of Edward VI and the death of Elizabeth I. The second half of the sixteenth century was a period of intense conflict between the nations of Europe, and between competing Catholic and Protestant beliefs. These struggles produced acute anxiety in England, but the nation was saved from the disasters that befell her neighbors and, by the end of Elizabeth's reign, achieved a remarkable sense of political and religious identity. In this masterly and comprehensive study, Penry Williams explains how this process came about. He begins by weaving together the political, religious, and economic history of the nation, setting out the workings and development of the English state. Later chapters establish the broader perspective, with a thorough analysis of English society, family relations, and culture, focusing on the ways in which art and literature were used to uphold--and sometimes to subvert--the social and political order. The final chapter looks to Europe and across the seas at England's part in the shaping of the New World.

Shakespearean Sensations explores the ways Shakespeare and his contemporaries imagined literature affecting audiences' bodies, minds and emotions.