In the West of Ireland in 1939 a young novelist rents a lonely cottage to write his new book in peace. Almost at once, and without great resistance, he is seduced by the wife of the local squire. Harriet's husband is an older man - hot-tempered, impoverished, gone to seed - who once fought famously against the Black and Tans. Soon this eternal triangle becomes a local scandal, and the atmosphere of threat and violence, intensified by the approaching war in Europe, leads to a horrific murder. The Private Wound is Nicholas Blake's last book, written with such intensity of feeling and depth of character that it is widely regarded as his best. "Really splendid. When they come round to having a Crime-writer Laureate, Mr Blake's brow is there for the wreathing" - The Times

Written by renowned wound care experts Sharon Baranoski and Elizabeth Ayello, in collaboration with an interdisciplinary team of experts, this handbook covers all aspects of wound assessment, treatment, and care.

Healing the Wounds is the most revealing book ever written by a doctor about his own profession. In it, David Hilfiker breaks the code of silence surrounding the everyday practice of medicine and gives is a dramatically different personal account of how the family doctors gets by in a world of spiraling information and high anxiety. Drawing on his years of rural and urban experience, Dr. Hilfiker lets us all know what it really feels like to be a doctor. What do you do when you make a serious medical mistake? Is it enjoyable to play God? What do you say to a patient who wants reassurance when the essence of diagnosis is uncertainty? What about money? What happens when a patient is taking forever, your waiting room is full, and you want to get home? Dr. Hilfiker uses incidents from his own practice to examine many of the kinds of behavior for which doctors are criticized—aloofness, authoritarianism, lack of caring, and money. With compassion for doctor and patient alike, he shows how the stresses of medical practice lead to a climate of misunderstanding and hostility in which the goal of healing is the first casualty. Never before have we heard the voice of the doctor ever American is most likely to meet—the family doctor—telling the often painful truths of medical practice. A book for the medical community and the lay person alike, Healing the Wounds is a powerful exploration of what frustrates doctors (and infuriates patients) and what might be done about it).

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

Designed for health care professionals in multiple disciplines and clinical settings, this comprehensive, evidence-based wound care text provides basic and advanced information on wound healing and therapies and emphasizes clinical decision-making. The text integrates the latest scientific findings with principles of good wound care and provides a complete set of current, evidence-based practices. This edition features a new chapter on wound pain management and a chapter showing how to use negative pressure therapy on many types of hard-to-heal wounds. Technological advances covered include ultrasound for wound debridement, laser treatments, and a single-patient-use disposable device for delivering pulsed radio frequency.

How do you make wound management decisions for your patients? In the most challenging situations where patient survival and limb salvage are considerations, it becomes apparent that wound management decisions be based on more than a wound's initial presentation. MasterMinding Wounds optimizes the evaluation, management, and prevention of wounds. This exciting text is organized into five parts, each integral to wound care, yet comprehensive enough to stand alone: I. Setting the stage (for wound care) II. Evaluation of wounds III. The strategic management of problem wounds IV. Evaluation and management of the "end-stage" wound V. Prevention of new and recurrent wounds The special features of this text include the use of a Master Algorithm to integrate and logically transition information, as well as a user friendly "Power of 10" scoring tool to objectively quantify wound seriousness, guide treatment, measure progress, predict potential for wound development, and assess patient function and motivation.

The Wound and the Stitch traces a history of imagery and language centered on the concept of woundedness and the stitching together of fragmented selves. Focusing particularly on California and its historical violences against Chicanx bodies, Loretta Victoria Ramirez argues that woundedness has become a ubiquitous and significant form of Chicanx self-representation, especially in late twentieth-century print media and art. Ramirez maps a genealogy of the female body from late medieval Iberian devotional sculptures to contemporary strategies of self-representation. By doing so, she shows how wounds—metaphorical, physical, historical, and linguistic—are inherited and manifested as ongoing violations of the body and othered forms of identity. Beyond simply exposing these wounds, however, Ramirez also shows us how they can be healed—or rather stitched. Drawing on Mesoamerican concepts of securing stability during lived turmoil, or nepantla, Ramirez investigates how creators such as Cherríe Moraga, Renee Tajima-Peña, Guillermo Gómez-Peña, and Amalia Mesa-Bains repurpose the concept of woundedness to advocate for redress and offer delicate, ephemeral moments of healing. Positioning woundedness as a potent method to express Chicanx realities and transform the self from one that is wounded to one that is stitched, this book emphasizes the necessity of acknowledgment and ethical restitution for colonial legacies. It will be valued by scholars and students interested in the history of rhetorics, twentieth-century Chicanx art, and Latinx studies.