"If, as they say, I am a Man of Letters, I come, like my fellows, at the tail-end of a long and once esteemed tradition in English and American writing. We have no captive audience. We do not teach. We write to be readable and to engage the interest of what Virginia Woolf called 'the common reader.'" In a life that spanned almost the entire course of the twentieth century—he was born in 1900 and died in 1997—Sir Victor Pritchett mastered nearly every form of literature: the novel, short fiction, travel writing, biography, criticism, and memoir. Now, Sir Victor's son Oliver has selected representative samples to illustrate the tremendous scope of his father's brilliance. Included in this volume are sections of Pritchett's memoirs, A Cab at the Door and Midnight Oil; his reflections on turning eighty; and an account of a visit to the Appalachians written in 1925. There are also portraits of Dublin, New York, the Amazon, and Spain; selections from the novels Dead Man Leading and Mr. Beluncle; thirteen complete short stories; excerpts from biographies of Turgenev and Chekhov; and critical pieces on Twain, Scott, Dickens, Eliot, Henry James, Tolstoy, Saul Bellow, Salman Rushdie, and others. "Pritchett has lived as a man of letters must, by his pen, and he has done it with a freshness of interest and an infectious curiosity that have never waned," observed novelist Margaret Drabble. Taken together with Oliver Pritchett's appreciation of his father, and John Bayley's "In Memoriam," The Pritchett Century stands as the most comprehensive collection of Sir Victor's work available in one volume.

"If, as they say, I am a Man of Letters, I come, like my fellows, at the tail-end of a long and once esteemed tradition in English and American writing. We have no captive audience. We do not teach. We write to be readable and to engage the interest of what Virginia Woolf called 'the common reader.'" In a life that spanned almost the entire course of the twentieth century—he was born in 1900 and died in 1997—Sir Victor Pritchett mastered nearly every form of literature: the novel, short fiction, travel writing, biography, criticism, and memoir. Now, Sir Victor's son Oliver has selected representative samples to illustrate the tremendous scope of his father's brilliance. Included in this volume are sections of Pritchett's memoirs, A Cab at the Door and Midnight Oil; his reflections on turning eighty; and an account of a visit to the Appalachians written in 1925. There are also portraits of Dublin, New York, the Amazon, and Spain; selections from the novels Dead Man Leading and Mr. Beluncle; thirteen complete short stories; excerpts from biographies of Turgenev and Chekhov; and critical pieces on Twain, Scott, Dickens, Eliot, Henry James, Tolstoy, Saul Bellow, Salman Rushdie, and others. "Pritchett has lived as a man of letters must, by his pen, and he has done it with a freshness of interest and an infectious curiosity that have never waned," observed novelist Margaret Drabble. Taken together with Oliver Pritchett's appreciation of his father, and John Bayley's "In Memoriam," The Pritchett Century stands as the most comprehensive collection of Sir Victor's work available in one volume.

The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.

V.S.Pritchett (1900-1997) - VSP as he was affectionately known - was the greatest British short-story writer of the twentieth century, and one of its liveliest and most humane critics. The story of his own life was extraordinary, full of comedy and pathos and eccentricities.

The essayist, critic, novelist, short story writer, and biographer presents 203 essays on such writers as Gibbon, Cervantes, Balzac, Flaubert, Woolf, Shaw, Twain, Garci+a7a Lorca, Updike, Rushdie, and others. - Google Books.

First published in 1937, this thrilling novel tells the story of an expedition by three Englishmen into the Brazilian jungle; a journey which turns into an obsessive quest for the truth behind a missionary's disappearance seventeen years earlier. The three men are each linked in different ways to the same woman in England, and her presence overshadows the whole narrative. At the centre of the expedition is Harry Johnson, the son of the missing missionary-a solitary explorer-hero who is obsessed by the woman, Lucy. Charles Wright, the leader of the expedition, is Lucy's step-father, and Gilbert Phillips, the journalist accompanying the party, was once her lover. In Dead Man Leading, a novel of rivalries and intense emotion set in a remote and exotic landscape, V. S. Pritchett examines the obscure motivation behind the explorer's passion for solitude and hardship and his flight from 'normal' life.

Eliciting comparisons to Orwell's Homage to Catalonia, Pritchett's meditative work on Spain is comprised of a string of sketches, woven around the author's musings on the Spanish character.Having lived in Spain for four years during the 1920s, Pritchett is well placed to deliver such a report, and his resulting narrative is both well informed and delightfully written.