Reprinted from rare, expensive first and second editions, this version of Piranesi's masterwork presents side-by-side renderings of original and extensively revised drawings in a large format. 33 full-page illustrations.

A new exploration of Piranesi’s work as a draftsman, published to coincide with an exhibition at the British Museum. The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri (“Prisons”). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi’s celebrated skill as a draftsman. While many studies are concerned with Piranesi’s activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

During a period dominated by the biological determinism of Cesare Lombroso, Italy constructed a new prison system that sought to reconcile criminology with nation building and new definitions of citizenship. Italian Prisons in the Age of Positivism, 1861-1914 examines this "second wave" of global prison reform between Italian Unification and World War I, providing fascinating insights into the relationship between changing modes of punishment and the development of the modern Italian state. Mary Gibson focuses on the correlation between the birth of the prison and the establishment of a liberal government, showing how rehabilitation through work in humanitarian conditions played a key role in the development of a new secular national identity. She also highlights the importance of age and gender for constructing a nuanced chronology of the birth of the prison, demonstrating that whilst imprisonment emerged first as a punishment for women and children, they were often denied "negative" rights, such as equality in penal law and the right to a secular form of punishment. Employing a wealth of hitherto neglected primary sources, such as yearly prison statistics, this cutting-edge study also provides glimpses into the everyday life of inmates in both the new capital of Rome and the nation as a whole. Italian Prisons in the Age of Positivism, 1861-1914 is a vital study for understanding the birth of the prison in modern Italy and beyond.

Full reproduction of Carceri: 30 etchings depict rickety catwalks, iron rings, faceless humans, innumerable staircases, immense vaults, projecting beams, pulleys, wooden ladders, hanging ropes and chains, iron rings imbedded in walls, faceless humans and more. All create a system of visual frustration beyond ordinary perception and understanding.

Ranging from ancient times to the present, a survey of the evolution of the prison explores its relationship to the history of Western criminal law and offers a look at the social world of prisoners over the centuries.

"Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. ..."