Paul Klee, the Swiss German painter influenced by expressionism, cubism and surrealism, also produced a number of etchings in his early years, beginning in 1903. These works, remarkable for their technical proficiency, illustrate his evolution from a traditionalist to one of modern art's most daring masters. Previously published in 1945 and 1947, this third revised edition was issued by the Museum of Modern Art and by Graphic Matter in 2013 in a limited edition of 500, printed and bound by Trifolio, Verona. It beautifully reproduces each of Klee/s prints on fine paper, which are accompanied by original texts and an updated list of plates.

The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today

"In the course of his creativity, Klee developed his artistic will slowly, almost hesitantly. His work formed organically. Undogmatic and open to all graphic life, he let himself be inspired by the art of the past and the present. Fairytale lyrics and grotesque satire, tender jesting and real demonism, profound mysticism and sober romanticism live in Klee's work, which always radiates his personal sphere with all its variety. In this monograph, an immensely compressed picture of the artistic as well as the human side of his career evolves by way of the extensive pictorial material and accompanying essays, a picture which gives information about "Klee's contribution to the expansion of artistic articulation"."--Jacket.

Known for their colour, dream images, their wit and playful imagination, the works of Paul Klee are among the most famous of modern art. This new volume presents a group of 130 oils, watercolours, drawings and prints representative of his career.

Offering a fresh look at one of the major artists of the 20th century, this book illustrates how Paul Klee’s critical and ironic take on life was evident in every stage of his oeuvre. Known for its whimsy and levity, Paul Klee’s art is often considered gleefully childlike. This groundbreaking volume argues that Klee’s style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee’s youth, his experimentations in Cubism and "mechanical theater," and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee’s oeuvre as a reflection of prevailing styles. It closes with the artist’s final years, in which he was labeled a "degenerate artist" by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe’s seismic political and artistic movements, Klee’s body of work takes on a renewed significance as one of the most critical of its generation.

"Paul Klee (1879-1940) is one of the most influential painters of European modernism. With an oeuvre comprising nearly ten thousand works, numerous solo and group exhibitions of his work have been mounted well beyond his lifetime. To this very day, the intense interest in his work has not waned. And yet there has never been an exhibition that has extensively examined Klee's relationship to abstraction. The show at the Fondation Beyeler--along with the accompanying catalogue, which is "underscored" by insightful texts from well-known authors--is closing this gap. Four groups of themes--nature, architecture, painting, and graphic characters--make up the golden thread through Klee's body of work whose formal repertoire repeatedly oscillates between the semi-representational and the absolute abstract, and which are examined here in separate chapters. Thus one not only gains in-depth insight into Klee's involvement with abstraction--new references to his contemporaries, as well as to artists of later generations, are unveiled."--From the publisher.

Paul Klee, best known for his mastery of color and semi-abstract patchwork paintings of squares, completed more than 10,000 paintings, drawings, and etchings during his life. His work is difficult to classify but widely admired and highly sought after. Carl Djerassi, scientist, novelist, philanthropist, most famous for inventing the birth control pill, was a great fan of Klee and amassed one of the most important private collections of his work in the world. This catalog reproduces highlights from the collection, now owned by the San Francisco Museum of Modern Art, including full-color images of nearly one hundred rarely published works. These drawings, sketches, gouache and watercolors reflect the whole of Klee's short but prolific career and are among his most beautiful and important works. The text includes background and critical commentary from noted Klee experts. In addition, an interview with Djerassi reveals his artistic endeavors and passion for Klee, a creative genius whose energy, versatility, productivity, and vision speak volumes to the scientist and anyone interested in the inventive power of the imagination.