The description for this book, The Princeton Companion to Classical Japanese Literature, will be forthcoming.

Focusing on the landscapes and memory of golf and examining the games nature and appeal, this collection of seventy-two haiku poems and essays aims to lead readers to a fuller appreciation of the culture and history of golf and a deeper awareness of a players place in the game. Be the Pine, Be the Ball also reveals the compelling beauty and power of haiku, the most popular poetic form in the world. Through the brevity of its style, precise language, and ability to reveal how ordinary moments and elements of our lives are pathways to a better understanding of ourselves and the world around us, haiku can have both a meditative and consequential effect on the reader. A key to the connection between haiku and golf is that both foster powers of concentration and detailed observation with a related reduction of distractions. Both seek to cultivate a more tranquil and disciplined mind and to translate that condition into how a life is lived and a game is played.

The study and reception of Samuel Johnson’s work has long been embedded in Japanese literary culture. The essays in this collection reflect that history and influence, underscoring the richness of Johnson scholarship in Japan, while exploring broader conditions in Japanese academia today. In examining Johnson’s works such as the Rambler (1750-52), Rasselas (1759), Lives of the Most Eminent English Poets (1779-81), and Journey to the Western Islands of Scotland (1775), the contributors—all members of the half-century-old Johnson Society of Japan—also engage with the work of other important English writers, namely Shakespeare, Mary Shelley, Jane Austen, and Matthew Arnold, and later Japanese writers, including Natsume Soseki (1867-1916). If the state of Johnson studies in Japan is unfamiliar to Western academics, this volume offers a unique opportunity to appreciate Johnson’s centrality to Japanese education and intellectual life, and to reassess how he may be perceived in a different cultural context. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

An indispensable tool for librarians who do reference or collection management, this work is a pioneering offering of expertly selected print and electronic reference tools for East Asian Studies (Chinese, Japanese, and Korean). Handbook for Asian Studies Specialists: A Guide to Research Materials and Collection Building Tools is the first work to cover reference works for the main Asian area languages of China, Japan, and Korea. Several leading Asian Studies librarians have contributed their many decades of experience to create a resource that gathers major reference titles—both print and online—that would be useful to today's Asian Studies librarian. Organized by language group, it offers useful information on the many subscription-based and open-source electronic tools relevant to Asian Studies. This book will serve as an essential resource for reference collections at academic libraries. Previously published bibliographies on materials deal with China or Japan or Korea, but none have coalesced information on all three countries into one work, or are written in English. And unlike the other resources available, this work provides the insight needed for librarians to make informed collection management decisions and reference selections.

The emergence of Japan as a political and economic global power has been one of the most remarkable success stories of modern history. Though small in geographic area, the archipelago is the tenth most populous country, with 128 million inhabitants crowded into an area the size of Montana. Its natural resources are almost nonexistent, yet today it ranks only second after the much larger United States as the most affluent and economically productive nation in the world. Its rich cultural heritage and high-tech society are equally vibrant. For all readers wanting to better understand this dynamic country, this popular and accessible introduction offers an authoritative yet concise overview of two thousand years of Japanese history. Now fully updated to the present, this edition also includes an array of photographs and illustrations. The first half of the book explores the pre-Meiji era up to 1868. The second half traces domestic changes and relevant foreign issues in the modernizing era launched by the Meiji Restoration. Highlighting key historical events, Milton W. Meyer also includes cultural, artistic, and religious milestones. Summaries and datelines at the end of each chapter, as well as a glossary, offer additional essential reference points. With its clear explanations of Japanese traditions, religion, history, economics, politics, and relations with the West, this book provides an invaluable guide for understanding contemporary Japan.

The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn’s impressive interpretive examination of Zeami’s treatises addresses all of these areas as it outlines the development of the playwright’s ideas on how best to cultivate attunement between performer and audience. Quinn begins by tracing Zeami’s transformation of the largely mimetic stage art of his father’s troupe into a theater of poiesis in which the playwright and actors aim for performances wherein dance and chant are re-keyed to the evocative power of literary memory. Synthesizing this remembered language of stories, poems, phrases, and their prosodies and associated auras with the flow of dance and chant led to the creation of a dramatic prototype that engaged and depended on the audience as never before. Later chapters examine a performance configuration created by Zeami (the nikyoku santai) as articulated in his mature theories on the training of the performer. Drawing on possible reference points from Buddhist and Daoist thought, the author argues that Zeami came to treat the nikyoku santai as a set of guidelines for bracketing the subjectivity of the novice actor, thereby allowing the actor to reach a certain skill level or threshold from which his freedom as an artist might begin.

William E. Naff, the distinguished scholar of Japanese literature widely known and highly regarded for his eloquent translations of the writings of Shimazaki Toson (1872–1943), spent the last years of his life writing a full-length biography of Toson. Virtually completed at the time of his death, The Kiso Road provides a rich and colorful account of this canonic novelist who, along with Natsume Soseki and Mori Ogai, formed the triumvirate of writers regarded as giants in Meiji Japan, all three of whom helped establish the parameters of modern Japanese literature. Professor Naff’s biography skillfully places Toson in the context of his times and discusses every aspect of his career and personal life, as well as introducing in detail a number of his important but as yet untranslated works. Toson’s long life, his many connections with other important Japanese artists and intellectuals, his sojourn in France during World War I, and his later visit to South America, permit a biography of depth and detail that serves as a kind of cultural history of Japan during an often turbulent period. The Kiso Road, as approachable and exciting as any novel, with Toson himself as its complex protagonist, is arguably the most thorough account of any modern Japanese writer presently available in English.