The Nuee Festival comes around once a year in the Kingdom of Carramer, and Princess Adrienne has disguised herself as a man so she can walk around the festival without being recognized. Hugh Jordan, an American with dreams of owning a horse ranch, came to Nuee Island to purchase the rare horses bred there, and he ends up meeting Adrienne “Dee” at the festival. Safe in her male identity, Dee argues with Hugh about ranch horses and leaves before her identity is found out. Unfortunately, she later meets Hugh at a dinner party where he recognizes her. He’s unable to resist teasing herBut can Hugh remain a gentleman, or will his lusts get the best of him? And how will Adrienne react to this enigma of a man who disregards her status and treats her like a normal human being?

A wickedly funny fairytale for modern women from the 'laugh-out-loud funny' (Washington Post Book World) author of The Cinderella Pact. Genie's commitment-phobic boyfriend is finally proposing-on national television. To the woman he's been seeing on the side. It's a major wake-up call for a girl who's hit the snooze button on her life a few too many times. With no names mentioned on the broadcast, Genie finds herself flooded with presents and congratulations. It's up to her to explain the mistake, but sometimes waking up is hard to do. When her parents start planning the reception, she can't help enjoying herself. Why call off the so-called engagement just yet? It's fun to play princess. But unless a prince shows up-and soon-this dream could start getting weird.

"Dr. Louise Blakely didn't want to love Jeb Coltrain. They were supposed to be partners, running the Jacobsville medical clinic together, but instead, he treated her like the enemy. And yet when Lou tells Jeb that she's leaving, he shocks her by proposing! It wouldn't be a real marriage, of course ... at least, that was Jeb's intent. Then he started to get to know Lou, to let down his guard to her warmth and caring, and everything changed. After so many years of conflict, can he prove to Lou that his love is real?"--Publisher.

A fierce princess with a dangerous magical gift and an eagle shifter must embark on an epic journey to discover who exactly is stalking and killing the Embraced. But even in disguise, there's no hiding their desire for each other.

He was everything Tiffany Blair wanted. He was danger. He was loveand she was meant to spend forever with him. Trouble was, Kingman Marshall insisted marriage was for fools. But for better, for worse, Tiffany vowed she'd walk down the aisle as King's bride.

"Boy meets girl. Boy proposes to girl. Girl refuses proposal. Then what?This provocative scenario provides the frame for a significant countertradition in popular nineteenth-century women's novels: the double-proposal plot, in which the heroine rejects and later accepts proposals from the same suitor. Exploring the American wing of this movement through the novels of Carolyn Hentz, Augusta Evans, Laura J. Curtis Bullard, E. D. E. N. Southworth, and Elizabeth Stuart Phelps, Karen Tracey investigates how each of these writers is constrained by her historical circumstances and how she uses her fiction to critique those circumstances.Pioneered in Britain by Jane Austen, Charlotte Bront, and Elizabeth Barrett Browning, the double-proposal plot dislodges the myth of Mr. Right and questions the all-powerful notions of true love and happily-ever-after. When the heroine rejects her suitor's initial proposal, she opens up the possibility of renegotiating the terms of the relationship and exploring alternative roles. By considering two possible marriages between the same set of partners, the double-proposal plot interrogates the role of middle-class women in courtship and in public life as well as the quality of married life and the influence a woman potentially brings to it. Tracey charts the genre's evolution from novels that seek answers within renegotiated marriages to those that challenge the efficacy of marriage itself. Reconstructing some of the cultural circumstances that would have influenced the writing, publishing, and reading of the novels, Plots and Proposals examines how changing notions of love and romance both inform and are critiqued by this renegade fiction."

Conrad Domitio likes to keep his title of Crown Prince of Montessuro a secret. After all, it doesn't affect his life in England. Or at least not until his grandfather calls to say his country needs him–and that he'd better bring a bride!