Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in three volumes in 1886, The Princess Casamassima follows Hyacinth Robinson, a young London craftsman who carries the stigma of his illegitimate birth, and his French mother's murder of his patrician English father. Deeply impressed by the poverty around him, he is driven to association with political dissidents and anarchists including the charismatic Princess Casamassima - who embodies the problems of personal and political loyalty by which Hyacinth is progressively torn apart. This edition is the first to provide a full account of the context in which the book was composed and received. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.

Roderick Hudson is a phenomenon among sculptors; carving life out of solid stone and moulding the wills of people no less easily. Moving to Rome with his patron and friend, he finds that Europe tests him in ways he had not anticipated, both as an artist and as a man.

A novel about the fate of candor, goodwill, and the utopian spirit in a world where technology and surveillance are weaponizing human relationships One autumn night, as a grad student named Matthew is walking home from the subway, a handsome skateboarder catches his eye. Leif, a poet as well as a skater, invites Matthew to take part in an experiment with tarot cards. It's easier to know what's in other people's minds than most people realize, Leif and his friends claim. Do they believe in telepathy? Can they actually do it? Instead of writing his dissertation, Matthew soon finds himself falling for Leif and entangled with his friends, who are as idealistic as the Occupy encampment they like to visit. When the group runs afoul of a government contractor, an avalanche of news coverage, internet outrage, and legal repercussions overwhelms them. Elspeth and Raleigh, two of Leif's oldest friends, will see their relationship tested by the strain of criminal charges. Chris and Julia, who drifted into the group more recently, will have their loyalties questioned. Diana, a hardheaded sociologist, will need to find a way to stand with her friends without compromising her skepticism. And Matthew, entranced by the man at the center of it all, will have to decide what he owes Leif and how much he's willing to give. All six will be forced to reckon with the catch-22s of transparency and the insidious natures of power and privilege. Overthrow is about the aftermath of idealism--about what happens after new technologies have begun to change the boundaries that we imagine around ourselves. Caleb Crain has captured with astonishing sensitivity, acuity, and grace the unease and ambiguity that threaten our contemporary lives, and has written a beautiful novel about the redemptive possibilities of love and friendship.

Henry James rebelled intuitively against the tyranny and banality of plots. Believing a life to have many potential paths and a self to hold many destinies, he hung the evocative shadow of "what might have been" over much of what he wrote. Yet James also realized that no life can be lived--and no story written--except by submission to some outcome. The limiting conventions of society and literature are, he found, almost inescapable. In a major, comprehensive new study of James's work, Millicent Bell explores this oscillation between hope and fatalism, indeterminacy and form, and uncertainty and meaning. In the process Bell provides fresh insight into how we read and interpret fiction. Bell demonstrates how James's texts steadfastly, almost perversely at times, preserve a sense of alternative possibilities. James involves his characters in overlapping scenarios drawn from folklore, drama, literature, or naturalist formula. The reader engages, with the hero or heroine, in imagining many plots other than the one that finally-and often ambiguously--emerges. The story arouses expectations, proposes courses, then cancels them successively. In complicity with author and character, the reader crafts the story in an adventure of constant revision and anticipation. Literary meaning becomes an experience as well as a goal. In the end, revelations and resolutions, even if unclear or partial, assume an altered significance in light of the earlier imaginings. Not surprisingly, James's deepest sympathies lay with those characters who resisted entrapment by cultural expectations--his idealistic free spirits like Isabel, his marriage renouncers like Fleda Vetch, his largely silent and detached witnesses to life like Strether and the generous Maisie. They are frequently the victims of callous manipulators who box them into oppressive roles or who literally "plot against" them. By looking closely at James's critiques of clever" categorical mind and at his loving and complex portraits of characters of unfulfilled potentiality, Bell celebrates the paradoxes of James's story-denying fiction. In extended analyses of Daisy Miller," Washington Square, The Portrait of a Lady; The Bostonians, The Princess Casamassima, "The Aspern Papers," The Spoils of Poynton, "The Turn of the Screw," What Maisie Knew, "The Beast in the Jungle," "The Jolly Corner," The Wings of the Dove, and The Ambassadors, Bell relates James's work to influential movements of the day, notably impressionism and naturalism. She examines the influence of Hawthorne, Emerson, Flaubert, Balzac, and Zola on James at various periods throughout his career. Drawing on rich traditions of criticism and on stimulating recent theories, Bell forges a critical approach both accessible and profound for this elegant reading of one of the greatest writers of this or any time. It is a book that will be of high value and interest to the advanced scholar--marking out new ground in its methodology and offering innovative interpretations of James's fiction. At the same time, it will appeal equally to the general, reader, who will find his reading of James enriched by Bell's lucid and impassioned discussion.