An American teen stranded in London is forced to team up with the British crown prince if she wants to make it back home before the end of the world in this delightfully rompy high-stakes rom-com. Wren Wheeler has flown five thousand miles across the ocean to discover she’s the worst kind of traveler: the kind who just wants to go home. Her senior-year trip to London was supposed to be life-changing, but by the last day, Wren’s perfectly-planned itinerary is in tatters. There's only one item left to check off: breakfast at The World’s End restaurant. The one thing she can still get right. The restaurant is closed for renovations—of course—but there's a boy there, too. A very cute boy with a posh British accent who looks remarkably like the errant Prince Theo, on the run from the palace and his controlling mother. When Wren helps him escape a pack of tourists, the Prince scribbles down his number and offers her one favor in return. She doesn’t plan to take him up on it—until she gets to the airport and sees cancelled flights and chaos. A comet is approaching Earth, and the world is ending in eight days. Suddenly, that favor could be her only chance to get home to her family before the end of the world. Wren strikes a bargain with the runaway prince: if she’ll be his bodyguard from London to his family’s compound in Santorini, he can charter her a private jet home in time to say goodbye. Traveling through Europe by boat, train, and accidentally stolen automobile, Wren finds herself drawn to the dryly sarcastic, surprisingly vulnerable Theo. But the Prince has his own agenda, one that could derail both their plans. When life as they know it will be over in days, is it possible to find a happy ending?

A highly regarded expert on the Jewish apocalyptic tradition, John J. Collins has written extensively on the subject. Nineteen of his essays written over the last fifteen years, including previously unpublished contributions, are brought together for the first time in this volume. Its thematic essays organized in five sections, Apocalypse, Prophecy, and Pseudepigraphy complements and enriches Collins's well-known book The Apocalyptic Imagination.

Apocalypse, it seems, is everywhere. Preachers with vast followings proclaim the world's end. Apocalyptic fears grip even the nonreligious amid climate change, pandemics, and threats of nuclear war. As these ideas pervade popular discourse, grasping their logic remains elusive. Ben Jones argues that we can gain insight into apocalyptic thought through secular thinkers. He starts with a puzzle: Why would secular thinkers draw on Christian apocalyptic beliefs – often dismissed as bizarre – to interpret politics? The apocalyptic tradition proves appealing in part because it theorizes a relation between crisis and utopia. Apocalyptic thought points to crisis as the vehicle to bring the previously impossible within reach, offering resources for navigating challenges in ideal theory, which involves imagining the best, most just society. By examining apocalyptic thought's appeal and risks, this study arrives at new insights on the limits of utopian hope. This title is available as open access on Cambridge Core.

DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.

Why should you have this publication in your collection of Christian literature? Because this is the book that Satan did not want to be written. Dive into the immediate future and enjoy this panoramic spiritual view. Do not allow others to mislead you and challenge your own mind with the logic of the graphic interpretations herein. Virgilio's love for the Word of God has driven him to investigate and scrutinize the prophecies and to study the works of different authors who have also written about the book of Revelation and the events and developments that will occur in the immediate future.