Atsuko’s father is a drunk, and she’s shunned by her classmates as "the poor kid." Walking the streets in a dark fog of despair, Atsuko cons perverts out of their money to survive. Then, one day, she meets Itaru, the heir to a wealthy family, who happens to look exactly like her. Itaru hatches a plan: Atsuko will live his tedious public life for him, and she will get a taste of the luxuries enjoyed by the 1%. Everybody’s (finally) happy. Right?

Disenchanted Atsuko, a penniless high school girl, is the spitting image of a wealthy family’s missing son, Itaru. Masterminded by Itaru’s confidant, Atsuko doubles as the missing boy to help keep up appearances. Meanwhile, the disappeared prince Itaru carries with him a deep secret no one can know as he works the streets in the nighttime. The darkness in the young men’s seemingly glamourous lives seeps through–revealing a world of sorrow, frailty, and even love.

As a vast Holy War begins, a powerful new force emerges in the second book of this “violent, passionate, darkly poetic” fantasy series (SFSite.com). The first battle against the heathen has been won, but while the Great Names squabble over the spoils, Kellhus draws more followers to his banner. The sorcerer Achamian and his lover, Esmenet, submit entirely—only to face an unimaginable test of faith. The warrior Cnaiur falls ever deeper into madness. The skin-spies of the Consult watch with growing trepidation. And across the searing wastes of the desert, a name—a title—begins to be whispered among the faithful. Who is the Warrior-Prophet? A dangerous heretic who turns brother against brother? Or the only man who can avert the Second Apocalypse? With the fate of the Holy War hanging in the balance, the great powers will have to choose between their most desperate desires and their most ingrained prejudice. Between hatred and hope. Between the Warrior-Prophet and the end of the world . . .

Includes an excerpt from The dangers of deceiving a viscount.

Sequel to New York Times bestselling author Alison Goodman's acclaimed The Dark Days Club—a smashing combination of Buffy and Jane Austen! Summer, 1812. After the scandalous events at her presentation ball in London, Lady Helen has taken refuge at the fashionable seaside resort of Brighton, banished from her family and training as a Reclaimer with the covert Dark Days Club. She must learn to fight the dangerous energy-wielding Deceivers and prepare to face their master, the elusive Grand Deceiver. As she struggles to put aside her genteel upbringing, Helen realizes that her mentor, Lord Carlston, is fighting his own inner battle. Has the foul Deceiver energy poisoned his soul, or is something else driving him towards violent bouts of madness? Either way, Helen is desperate to help the man with whom she shares a deep but forbidden connection. When Mr. Pike, the hard bureaucratic heart of the Dark Days Club, arrives in Brighton, he has a secret mission for Helen: find the journal left by a mad rogue Reclaimer, before it falls into the hands of the Deceivers. Coerced by Pike, Helen has no choice but to do as ordered, knowing that the search for the journal may bring about Lord Carlston’s annihilation.

“There is adventure and intrigue, swordplay and dark sorcery aplenty.”—Realms of Fantasy When the legendary Briar King awoke from his slumber, dark magics awoke with him and spread across the Kingdom of Crotheny. In Eslen, King William has been murdered, Queen Muriele is stalked by treachery from every side, and their last surviving daughter, Anne, has fled the assassins bent on destroying her family. The queen’s one trusted ally, young knight Neil MeqVren, is sworn to rescue the princess from her pursuers. As spies in the service of the powerful Churchman embark upon a mission to destroy the Briar King, a sinister conspiracy threatens to engulf the land. Personal fates will be decided, and a kingdom’s destiny will hinge upon the ultimate conflict between virtue and malevolence, might and magic. “Keyes’s world is rich, detailed, and always believable; the twisty plot is delightful and frightening in turns.”—Locus “Strong world building and superior storytelling.”—Library Journal