Strupac, fornenst, trappy, scriss, kippy, snool, flying axehandles, from across - these and hundreds of other fascinating and colourful words and phrases give the English language as it has been spoken in Canada's smallest province a flavour all its own. With the Dictionary of Prince Edward Island English, T.K. Pratt makes a major scholarly contribution to the growing list of regional dictionaries that enable us to discover the rich heritage of the language as spoken throughout North America; at the same time it offers a splendid general introduction to the historical and sociological life of the island. There are approximately 1000 entries of non-standard or dialect words, past and present. The notes deal with usage, pronunciation, alternate forms and spellings, and stylistic and regional labels. Entries include definitions, supportive quotations from P.E.I. sources, editorial notes about various subtleties, and dictionary notes which provide links to some thirty-five other dictionaries. Pratt's introduction defines the criteria for inclusion of words, explains his research methods, and outlines the layout of entries. The end matter includes a bibliography and an important sociolinguistic essay, 'The Dictionary in Profile,' which places the work in the broader context of Prince Edward Island speech. Its range and depth of coverage make this an essential work not only for those concerned with P.E.I. and Maritimes studies, but for all those interested in the regional usage of English.

A long-awaited companion volume to T.K. Pratt's DICTIONARY OF PRINCE EDWARD ISLAND ENGLISH (1988), this delightful collection includes more than a thousand colorful and imaginative proverbs, folk sayings, catchphrases, and idioms characteristic of the speech and attitudes of Prince Edward Islanders. Meticulously researched, the book offers a unique blend of the scholarly and the popular.

Over 425 reels, jigs, set-tunes, waltzes, marches, strathspeys, and airs transcribed from the playing of traditional fiddlers make this a must have title

P.E.I. was the first Canadian area to acquire Scottish pioneers. Its colonization by Scots occurred when the process of immigration and settlement was in its infancy.

With its long and well-documented history, Prince Edward Island makes a compelling case study for thousands of years of human interaction with a specific ecosystem. The pastoral landscapes, red sandstone cliffs, and small fishing villages of Canada’s “garden province” are appealing because they appear timeless, but they are as culturally constructed as they are shaped by the ebb and flow of the tides. Bringing together experts from a multitude of disciplines, the essays in Time and a Place explore the island’s marine and terrestrial environment from its prehistory to its recent past. Beginning with PEI’s history as a blank slate – a land scraped by ice and then surrounded by rising seas – this mosaic of essays documents the arrival of flora, fauna, and humans, and the different ways these inhabitants have lived in this place over time. The collection offers policy insights for the province while also informing broader questions about the value of islands and other geographically bounded spaces for the study of environmental history and the crafting of global sustainability. Putting PEI at the forefront of Canadian environmental history, Time and a Place is a remarkable accomplishment that will be eagerly received and read by historians, geographers, scholars of Canadian and island studies, and environmentalists.

London, 1888. Upon the death of her husband, self-involved social climber Cora Pringle assumes her recent dalliance with a wealthy gentleman will be her second chance at a happily ever after. That is until her paramour turns out to be a penniless imposter. Despite his betrayal, Cora can’t quite let go of the tug the handsome playwright has on her heart. Desperate for an income, Cora becomes a séance-performing spiritualist and gets a taste for celebrity—and it’s so delicious. So what if she can’t actually communicate with the dead? Her eager patrons don’t need to know that. Amelia Baxter, an ambitious journalist and suffragist, is discouraged when her editor refuses to let her cover the horrific Jack the Ripper murders. Instead, Amelia pours her frustrations into bringing Cora’s deceptive and manipulative act to an end, even if it means risking her family’s reputation.