Stored in Whitehall's archives are everything from blood-chilling warnings of imminent nuclear attack to comical details of daily life in the corridors of power. Concerned notes from ministers on the subject of the Heir to the Throne's potential brainwashing by Welsh terrorists are shelved alongside worries about housemaids 'on the wobble' at Chequers. Detailed and surprising plans for royal funerals sit beside reports on suspected spies in the showbiz world and bawdy poetry about the monkeys on the Rock of Gibraltar. And Mary Whitehouse's complaints about the sex education syllabus nestle next to thank-you notes from prisoner 13260/62, also known as Nelson Mandela. Adam Macqueen, author of the highly acclaimed bestseller Private Eye: The First 50 Years, has searched high and low to present us with some of the most unlikely revelations since the Official secrets act was inaugurated one hundred years ago. Not only about Mrs Thatcher's ironing board, but Ted Heath's car, Harold Macmillan's bedroom carpet, Imelda Marcos and her son Bong Bong's trip to Buckingham Palace and President Eisenhower's particular problem with Winston Churchill's trousers.

Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.

NEW YORK TIMES BESTSELLER America was flying high in the Roaring Twenties. Then, almost overnight, the Great Depression brought it crashing down. When the dust settled, people were primed for a star who could distract them from reality. Enter Gypsy Rose Lee, a strutting, bawdy, erudite stripper who possessed a gift for delivering exactly what America needed. With her superb narrative skills and eye for detail, Karen Abbott brings to life an era of ambition, glamour, struggle, and survival. Using exclusive interviews and never-before-published material, she vividly delves into Gypsy’s world, including her intense triangle relationship with her sister, actress June Havoc, and their formidable mother, Rose, a petite but ferocious woman who literally killed to get her daughters on the stage. Weaving in the compelling saga of the Minskys—four scrappy brothers from New York City who would pave the way for Gypsy Rose Lee’s brand of burlesque and transform the entertainment landscape—Karen Abbott creates a rich account of a legend whose sensational tale of tragedy and triumph embodies the American Dream.

"The United Nations Declaration on the Rights of Indigenous Peoples is a culmination of a centuries-long struggle by indigenous peoples for justice. It is an important new addition to UN human rights instruments in that it promotes equality for the world's indigenous peoples and recognizes their collective rights."--Back cover.