A valuable reference, this informative and entertaining volume presents a key to elucidating the symbolic worlds encountered in both the arts and the history of ideas. 32 black-and-white illustrations.

The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.

This is an initiation into the tone, structure, and mentality of Egyptian knowledge, the basis of all Western theology and science. It is a redefinition of those concepts which are basic to the pharaonic transmission--the glory of ancient Egypt. The author explores the "process of becoming" as related to consciousness and revealed in nature; the kinship between man and the mineral, plant and animal kingdoms; the stages of awareness leading to "Cosmic Consciousness"; and the mystery of the formation of substance into matter.

This book examines post-war surrealist cinema in relation to surrealism’s change in direction towards myth and magic following World War II. Intermedial and interdisciplinary, the book unites cinema studies with art history and the study of Western esotericism, closely engaging with a wide range of primary sources, including surrealist journals, art, exhibitions, and writings. Kristoffer Noheden looks to the Danish surrealist artist Wilhelm Freddie’s forays into the experimental short film, the French poet Benjamin Péret’s contribution to the documentary film L’Invention du monde, the Argentinean-born filmmaker Nelly Kaplan’s feature films, and the Czech animator Jan Svankmajer’s work in short and feature films. The book traces a continuous engagement with myth and magic throughout these films, uncovering a previously unknown strain of occult imagery in surrealist cinema. It broadens the scope of the study of not only surrealist cinema, but of surrealism across the art forms. Surrealism, Cinema, and the Search for a New Myth will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts.

Grimassi has written extensively about Wicca, and Llewellyn specializes in books sympathetic to occult ways, so the combination is pretty predictable. He describes not only the usual magic practices, but also the religious and spiritual aspects of what believers say is inherited ancient European wisdom and scoffers say is made-up, new-age nonsense. Annotation copyrighted by Book News, Inc., Portland, OR