An exhaustive study of symbology--the science of symbols--and how symbols act on multiple levels of our experience • Examines the role of symbol in a wide array of Eastern and Western sources • Reveals how symbols form a language akin to music that allows one to grasp the universal order If a person does not learn the grammar of a language, the best dictionary in the world cannot help him truly understand that language, much less speak it. This book explores the grammar as well as the principles and structures of symbology, the science of symbols. In distinction to symbolism, which explores the use of symbols, symbology examines the primal force that creates symbols that are able to act on multiple levels of our experience. Symbols not only link separate parts into a coherent whole but also link those who understand them in a sacred alliance. René Alleau investigates diverse aspects of symbols in Eastern and Western philosophies as well as in African, Native American, and Australian cultures, both in ancient and modern times. Myth, he reveals, has been mistakenly identified by modern culture as fiction, when its true strength lies in the logic of analogy. The author then shows that nothing is closer to the language of symbols than music and that to enter the world of symbols is the attempt to grasp harmonic vibrations and learn the music of the universe. Just as there is a musical ear, there is also one sensitive to the primal force transmitted by symbol.

A valuable reference, this informative and entertaining volume presents a key to elucidating the symbolic worlds encountered in both the arts and the history of ideas. 32 black-and-white illustrations.

This is an initiation into the tone, structure, and mentality of Egyptian knowledge, the basis of all Western theology and science. It is a redefinition of those concepts which are basic to the pharaonic transmission--the glory of ancient Egypt. The author explores the "process of becoming" as related to consciousness and revealed in nature; the kinship between man and the mineral, plant and animal kingdoms; the stages of awareness leading to "Cosmic Consciousness"; and the mystery of the formation of substance into matter.

The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.

Grimassi has written extensively about Wicca, and Llewellyn specializes in books sympathetic to occult ways, so the combination is pretty predictable. He describes not only the usual magic practices, but also the religious and spiritual aspects of what believers say is inherited ancient European wisdom and scoffers say is made-up, new-age nonsense. Annotation copyrighted by Book News, Inc., Portland, OR

This book examines post-war surrealist cinema in relation to surrealism’s change in direction towards myth and magic following World War II. Intermedial and interdisciplinary, the book unites cinema studies with art history and the study of Western esotericism, closely engaging with a wide range of primary sources, including surrealist journals, art, exhibitions, and writings. Kristoffer Noheden looks to the Danish surrealist artist Wilhelm Freddie’s forays into the experimental short film, the French poet Benjamin Péret’s contribution to the documentary film L’Invention du monde, the Argentinean-born filmmaker Nelly Kaplan’s feature films, and the Czech animator Jan Svankmajer’s work in short and feature films. The book traces a continuous engagement with myth and magic throughout these films, uncovering a previously unknown strain of occult imagery in surrealist cinema. It broadens the scope of the study of not only surrealist cinema, but of surrealism across the art forms. Surrealism, Cinema, and the Search for a New Myth will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts.