The author states in the afterword of this book that 'all kente weavers, Ashanti or Ewe, should join hands and promote quality kente weaving and its accessories all over the world...in order to maintain and develop further this authentic cultural gift for the world's pleasure.' This colorful, beautifully crafted and illustrated book is a fine achievement of this endeavour. It tells the story of Ewe kente: how the cloth is produced by families of traditional weavers in the towns and villages of the southern Volta region; how it is worn on special occasions by the men and women of Ghana; and what the different designs, patterns and colors mean and symbolize.

A collection of texts from the Ghanaian Catholic Church, helping us to see how African scholars and church leaders grappled with the meaning of Vatican II in the immediate post-conciliar years.

Kente is not only the best known of all African textiles, it is also one of the most admired of all fabrics worldwide. Originating among the Asante peoples of Ghana and the Ewe peoples of Ghana and Togo, this brilliantly colored and intricately patterned strip-woven cloth was traditionally associated with royalty. Over time, however, it has come to be worn and used in many different contexts. In Wrapped in Pride, seven distinguished scholars present an exhaustive examination of the history of kente from its earliest use in Ghana to its present-day impact in the African Diaspora. Doran H. Ross is the former director of the UCLA Fowler Museum of Cultural History.

This book is about the history of an African clothing material known as Kente cloth. All relevant cultural aspects of the cloth have been explained in details with several pictorial illustrations. The book traces Kente history and how it has been used since its invention, about four hundred years ago, by an Ashanti hunter. The two authors are Ashantis and traditionalists. The coauthor was born into the industry at Bonwire. He received a national award as Ghanas best Kente designer and weaver in 2008. His knowledge in the art of weaving and his lifetime exposure to Kente traditions makes it imperative for all those seeking knowledge about Kente, the genuine African fabric, to obtain a copy of this. The other important aspect this of book is the author. The book is the outcome of his intensive research on Kente cloth after his first publication (1993) of the book titled Kente Cloth: Introduction to History. This book is the history of Kente Cloth. It contains everything you need to know about this magnificent African cloth, which was created for special occasions only.

By examining three centuries of history, this book shows how vital border regions have been in shaping states and social contracts.

This collection of essays on archaeology and heritage studies is authored by local and expatriate scholars who are either past or current practitioners in archaeological work in Ghana. They are from Ghana, UK, US and Canada. The subject matter covered includes the history and evolution of the discipline in Ghana; the method and theory or 'how to do it' in archaeology, field research reports, and syntheses on findings from past and recent investigations. The eclectic or multidisciplinary strategy has been the research vogue in Ghanaian archaeology recently, and this is reflected in the various chapters. The essays engage with current theoretical trends in global archaeology and also focus on the role and status of archaeology as a discipline in Ghanaian society today. Archaeology is a relatively 'novel' subject to many in Ghana. This Reader will, therefore, be a huge asset to local students and experts alike. Foreign scholars will also find it very useful.

A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.